Roy Rowan

Cuban Bandleader Ricky Ricardo would be happy if his wife Lucy would just be a housewife. Instead she tries constantly to perform at the Tropicana where he works, and make life comically frantic in the apartment building they share with landlords Fred and Ethel Mertz, who also happen to be their best friends.

The Lucy Show is an American sitcom that aired on CBS from 1962–68. It was Lucille Ball's follow-up to I Love Lucy. A significant change in cast and premise for the 1965–66 season divides the program into two distinct eras; aside from Ball, only Gale Gordon, who joined the program for its second season, remained. For the first three seasons, Vivian Vance was the co-star. The earliest scripts were entitled The Lucille Ball Show, but when this title was declined, producers thought of calling the show This Is Lucy or The New Adventures of Lucy, before deciding on the title The Lucy Show. Ball won consecutive Emmy Awards as Outstanding Lead Actress in a Comedy Series for the series' final two seasons, 1966–67 and 1967–68.

Lucille Ball's third network sitcom, following I Love Lucy (1951–57) and The Lucy Show (1962–68).

Set fifteen years in the then-future year 1983, the series tells the tale of the crew and passengers of a sub-orbital transport ship named Spindrift. In the pilot episode, the Spindrift is en route from Los Angeles to London, on an ultra-fast sub-orbital flight. Just beyond Earth's boundary with space, the Spindrift encounters a magnetic space storm, and is dragged through a space warp to a mysterious planet where everything is twelve times larger than on Earth, whose inhabitants the Earthlings nickname "the Giants". The Spindrift crash-lands, and the damage renders it inoperable.

Mister Terrific is an American TV sitcom that aired on CBS Television from January 9, to May 8, 1967. It starred Stephen Strimpell in the title role, and lasted 17 episodes. The show was similar to NBC's Captain Nice, which followed Mister Terrific on Monday nights during its run. Riding the tide of the camp superhero craze of the 1960s, the show's premise involved gas station attendant Stanley Beamish, a mild-mannered scrawny youth who secretly worked to fight crime for a government organization, The Bureau of Secret Projects, in Washington. All he needed to do was take a "power pill" which gave him the strength of a thousand men and enabled him to fly, much like Superman, albeit by furious flapping while wearing the top half of a wingsuit. Unfortunately, he was the only person on whom the pills worked. It was established that, although the pill would give him great strength, he was still vulnerable to bullets. Furthermore, each power pill had a time limit of one hour, although he generally had two 10-minute booster pills available per episode. Much of the show's humor revolved around Stanley losing his superpowers before he completed his given assignment.

NBC Sunday Showcase was a series of hour-long specials telecast in color on NBC during the 1959-60 season. The flexible anthology format varied weekly from comedies and science fiction to musicals and historical dramas. The recent introduction of videotape made repeats possible, and two 1959 dramas had repeats in 1960. On the heels of his Broadway hits The Pajama Game and Damn Yankees, Richard Adler composed the opening Sunday Showcase theme music, titled "Sunday Drive".

Homemaker Lucy Whittaker calls up President Carter to complain about a local political issue—and to her astonishment, he agrees to come dine at her house. Now Lucy has her hands full as family, friends and Secret Service agents invade her home in preparation for the big dinner summit.

The film plays out, with three first-season episodes edited together into a single story: "The Benefit", "Breaking the Lease", and "The Ballet", with new footage included between episodes to help transition the episodes into one coherent storyline. As the series routinely took the format of filming scenes in chronological order, this adds to the "show within a show within a show" format of the film, as viewers watch the cast perform the episodes live. The film itself ends with a "curtain call", as the cast comes out and Arnaz thanks the audience for their support.

Exploitative roadshow documentary focusing on gangsters of the 1930's: Bonnie Parker (and Clyde Barrow), John Dillinger, Machine Gun Kelly, and Pretty Boy Floyd.