María Soldi

Kara mizahıyla aklımızı çelen Saygın Vatandaş filmini 2017’de festivalde izlediğimiz Gastón Duprat, yeni filminde edebiyat değil çağdaş sanat dünyasını, yine kara mizaha yaslanan bir gerilimle mercek altına yatırıyor. Filmin başkarakterleri, her türlü üçkâğıda hazır sanat simsarı Arturo ve en sevdiği, en çok takıştığı dostu, ressam Renzo. Renzo’nun dışavurumcu tarzı popülerliğini kaybedince Arturo riskli olduğu kadar akılalmaz bir planı devreye sokmaya karar veriyor. Dünya prömiyerini Venedik Film Festivali’nde yapan Başyapıtım sürprizler, kazalar, art niyetler, komplolar, sınırları zorlanan arkadaşlıklar ve Buenos Aires sanat dünyasının ilginç karakterleriyle hem keyifli bir dostluk filmi hem de sivri bir güncel sanat eleştirisi.

Fleeing homophobic attacks, Nino moves to a rural house amidst a forest haunted by Almamula, a monster that takes those who commit carnal sins. In a world of whispers, unspoken desires and prayers, Nino’s curiosity and impulses rise to the surface.

A heat wave strikes Buenos Aires and Juana has to stay while everyone is on vacation; for her everything seems repetitive and dull, and a pop song about the sea follows her everywhere.

An unconventional portrayal of several young women witnessed in immersive yet indeterminate states: within their bodies, among their friends and lovers, and ultimately in a culture of economic and spiritual recession. Obliquely inspired by Bela Bartok’s sole opera, Bluebeard’s Castle.

Two sisters come to an old family house on the outskirts of the city. They want to avoid his father, who is in the country after a long time.

Three rooms, three different moments of a relationship.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

Six friends return to the big farmhouse in the middle of a subtropical landscape where their best friend Miguel spent his last days. While the sound of his recordings fills the house and gardens, they pack the things he left behind. Brzezicki's directorial début is a haunting sensorial journey through memories, images and sounds.

In the midst of an inclement summer, Tavo works as a pool in a country town in the Buenos Aires suburbs, forming a silent part of a landscape and a community that keeps him at bay for class reasons.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

Claudia shows up at a bar to meet Luis, a doctor who contacted her through a dating app. Claudia doesn't suspect what fate has in store for her. A kidnapping that ends with an inevitable and unpredictable death. A suspense story with surprising twists until the last second, narrated in a sequence shot without cuts.

It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.

Two friends travel to sing at a wedding and reencounter themselves with old stories and new problems.

This drama based on a true story follows the Puccios, a criminal family who kidnaps wealthy people and holds them hostage in their home.