Ferran Vilajosana

Birkaç seneliğine Londra'ya taşınan Hache, Barcelona'ya döndüğünde hiçbir şeyi bıraktığı gibi bulamaz. Kendisi de dahil olmak üzere birçok şey değişirken, aynı kalan tek şey Babi'ye duyduğu aşktır. Ne var ki Babi bu süreçte hayatını yeniden inşa etmeye koyulmuş ve başka biriyle nişanlanmıştır. Bunu öğrenen Hache de böyle bir karar alır ve arkadaşları, işi ve çevresi olmak üzere her şeyi değiştirmeye başlar. Gin isimli kendine oldukça benzeyen bir kadınla tanışır ve aralarında uyumlu bir ilişki başlar. Ancak bir partide karşılaştığı Babi, onu şaşkına çevirir ve aklını karıştırır. Hache artık hiçbir şeye ya da hiç kimseye inanmadığı bir döneme girmiş; zamanını ise güçlü olmaya çalışarak geçirmeye başlamıştır...

Set in the near future against the backdrop of widespread looting and societal collapse, the couple formed by Esther and Tomás and their daughter Say move to their summer house so they can promptly sell it and then flee from their country to France, drawing attention from a ring of voyeurs of real-life torture streamed on the dark web.

Armando has a trauma which prevented him from stepping outdoor. His only contact with the outside is through a rider who brings him the orders managed by his son. One day he receives something that will awaken in him old ghosts to face.

Bea is a successful architect who lives in Barcelona (Catalonia, northeast to Spain) with her boyfriend and boss, Víctor, a CEO of an important company. During a night celebration of an important contract signed to make a skyscraper designed by Bea, in the bar appears the famous TV reporter and anchorwoman Rebecca Ramos, Victor's personal erotic fantasy. Not measuring the consequences of her actions due to the alcohol she drank, Bea makes a meeting between Víctor and Rebecca. When to the next day she wakes up, Víctor proposes to wed Bea and she accepts, but after she arrives to the job, Bea learns about a videotape where Víctor and Rebecca make the love in a car that it's in all TV channels. In front of all CEOs during a full meeting, Bea slaps Víctor and destroys her design, being fired from the job. Looking for a break, she travels her natal coastal town, Santa Clara, just to discover that her rest isn't so easy as it seems: her eccentric, free-spirited and eternal smiling mother ...

Jota and Santi are two teenage boys who live in Madrid, looking for something that beats the summer heat. There is a story about a magnificent pool in one of the most controversial places of the city and they are willing to take the risk.

These men are undergoing a crucial stage of self-discovery, but for better or worse - they will not go through it alone. A selection of 6 shorts about the complexities of gay and male sexuality. Includes: Along the Road [Längs vägen] (2011); Drives [Pulsiones] (2009); Frozen Princess [Princesa de hielo] (2017); Naked [Desnudos] (2013); Swimming Pool [Piscina] (2017); Visibles (2018).

Friday, 11 p.m. Carla, a woman in her forties, is alone in her office. She gets a call. It's Raúl, a young guy who sells cocaine. Tonight will be the last night that Raúl works as a dealer. He wants to change his life.

Clara returns to her grandparents' house to celebrate the festivity of San Juan with her younger brothers. Mireia, the youngest, has been living in the house whilst finishing her studies. Despite the siblings' intention to relive their childhood's summer memories, the trip becomes a wheel of tension and silence when they discover that Mireia is prostituting herself with a neighbor from the village that is much older than her.

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

In a race against the clock, Alexandra will be forced to choose how to spend the next hours: facing a critical family drama or trying to bring an answer to one of humanity's most important questions.

On the day that a benefit concert for Darfur takes place in Barcelona, the inhabitants of this city are chiefly occupied with themselves. A short-tempered guy curses everyone crossing his path. A little later, we see him at work as a living statue. Meekly, he poses for a picture with a tourist. A thief robs her purse and runs through the alleys. On a scooter, the purse is taken to a suspicious-looking character, who is primarily interested in a concert ticket he finds . After these people, we follow countless other characters. We follow them for a few streets or catch snippets of conversations. Sometimes the topic is Darfur, but usually the urbanites are engaged in their daily worries.