Michal Kubovčík

Pressburg is a dramedy TV mini-series, which makes fun of Slovak and Hungarian national stereotypes and searches for answers about our identity in a multilingual environment. It is also the first multilingual television series in Slovakia.

In the 1990s post-communist Slovakia, former woods worker Miki takes his chances to start doing business at a local level and climb up the ladder to become the biggest mafia boss in the country.

Rowdy Jonas, 11, longs to spend the summer exploring the Slovakian countryside with his cool Grandpa Bernard, but his exasperated mother plans for him to go to the seaside instead. Jonas sneaks away from home and takes the train by himself to his grandpa’s. Upon arrival he finds his grandpa grumpy and moping. Luckily, his brave and tomboyish neighbor Alex befriends Jonas and together they create a scheme to raise money for a raft of their own. Their illegal racket creates an uproar in the village, lands Grandpa in jail for a crime he didn’t commit and causes Alex and Jonas’s friendship to fray. Will Jonas find a way to repair the mess?

Grumpy handyman Laco loses everything to a group of mobsters. Now wheelchair-bound and with his life spiraling, it's his new friend Gabo, a local Roma who helps Laco see things with a new perspective. Revenge is sweet.

Inspired by true events of the 1989 Czech and Slovak Velvet Revolution and Václav Havel's controversial release of 23000 prisoners. In addition to the story of three families affected by communist persecution, the film Amnesty also deals with the uprising of prisoners in Leopoldov, which required military intervention. The uprising was preceded by a broad amnesty granted by Václav Havel in January 1990, just a few days after his election as Czechoslovak president.

The story of the film The Candidate takes place during two months of campaigning before a non-specific presidential election in one specific country. The author of the diary entries has no idea for whom he is recording the eavesdropping and enthusiasm for an interesting job in which he follows a bishop, a crazy owner of an advertising agency and a bland presidential candidate with the eloquent name Peter Potôň and an even sweeter-sounding family history, soon give way to disgust and confusion. His diary becomes a file with transcripts of conversations, information about characters and characters, emails, scraps from psychiatric medical records and pictures, which he scribbles at first out of boredom, later because words and rational explanations are no longer enough. The candidate is a political farce, a sad-funny depiction of what happened, is happening, and could very easily happen in this small country.

The story of the clever Princess Diana, who longs to know true love and faces many obstacles, aims to captivate audiences of all generations. Diana mysteriously loses her former beauty and tries to regain it. She also encounters much humiliation, ridicule and anger along the way. But courage and her miraculous sensitive nose help her overcome all obstacles and fulfill her greatest dream.

In a world full of walking dead, a fight for a can of food becomes a fight for life.

Three men are trying to get over their teenage obsession with their school classmate. One suicidal, one secretly engaged to her, one dreaming to re-live the good old days. ...and all of them hostages to a homicidal burglary in progress.

In a home proudly named Silverville, where natural death is a frequent, if unwelcome, guest, one morning one of the residents is found seriously injured. The director, who sweeps inconveniences and shortcuts in the functioning of the private facility under the carpet, does the same this time and conceals the incident from the police. However, the investigation starts unofficially and covertly: it is taken up by a former judge who is eager to track down the perpetrator on his own. The three story lines bring a succession of surprising revelations, playing out a range of human destinies, relationships, desires, passions, all concentrated in a single place, and the actual tracking down of the perpetrator is only the final brushstroke in the painting of human existence in its last phase, which awaits each of us.