Isabelle Prim
Yönetmen · d. 1984 · Paris, France
Filmler8
Film6.3Bilim KurguDramYakın bir gelecekte yapay zekanın hüküm sürdüğü bir dünyada, insan duyguları tehdit haline gelmiştir. Onlardan kurtulmak için Gabrielle, geçmiş yaşamlarına dönerek DNA’sını arındırmak zorundadır. Orada, büyük aşkı Louis ile yeniden bir araya gelir. Ancak korku içindedir, yaklaşan bir felaketin önseziyle sarsılır.
Film6.1DramWhen penniless young writer Labidi meets Elisa he knows she’s the one for him. But Paris is expensive. A captivating film that combines the classic themes of French New Wave cinema with questions about roots, familiarity and distance.
Film4.7DramA woman discovers curious erotic messages on a lost cell phone in the train. When she meets the owner of the phone, a liberated young woman, the two of them embark on an erotic journey.
Film6.1KomediLess and Less, Luc Moullet’s 40th film, concerns development and expansion, from 1968 to 2010, of the devices based on computers, automats, interactive terminals and others that can be found everywhere.
FilmKomediBilim KurguArrived in an abandoned place or emerged from a society at a standstill, men and women organize themselves in their own way, borrowing what they find on the spot and in the memory of what surrounds them, the theater and the people... In the superb mineral setting of the Boulbon quarry, Philippe Quesne, inspired by a work by the painter Jérôme Bosch, orchestrates a joyful retro-futurist epic to meet the worlds to come, between environmental science fiction and contemporary western.
FilmFantastikA fairy is invited for lunch by Gertrude Stein, and suddenly the world changes.
FilmDramBelgeselIn the mid-18th century, the Beast is hunted around the Château de Saint-Alban. In the mid-20th century, a new kind of psychiatry is invented there. Theatre and madness span the centuries.
FilmDramRomantik"Mademoiselle Else" is an adaptation in video of Fräulein Else, a novel by Arthur Schnitzler. It is the account in the first person of the last days of a young girl from a good family who, on holiday in the Alps, has to ask Dorsday, an old art agent and bon-vivant for money to help her father, a Viennese lawyer ridden with debts. Dorsday asks in exchange to be allowed to admire her nude. Scenes shot in the Alps break up the story to allow Else to literally distance herself from the rest of the film shot in the studio, a dark room that becomes the recipient of the various mental projections of the young girl. These two different environments enable us to understand the comings and goings in the Else who weighs herself up and Else who weighs up the situation. As it is indeed at Else's level, around sexual benchmarks, that Schnitzler develops his critique of liberalism.