Jordi Ballester

Ramon Sampedro’nun yaşamı, 30 yıldır bir yatakta geçmektedir. Gençliğinde geçirdiği bir kazadan sonra hayatla tek ilişkisi deniz manzaralı penceresidir. Hayatına iki kadın girer: avukat Julia ve köylü kızı Rosa. Bu iki kadından biri, boynundan aşağısı felçli adama hayatın anlamını tattırır ve onun kurtuluşunu sağlar. Alejandro Amenabar’ın bu çalışması Venedik’te ikinciliği, başrol oyuncusu Javier Bardem’e de En İyi Erkek Oyuncu ödülünü aldı.

Bar worker Diana Diaz leaves Madrid for Miami and with new boyfriend, Robert (Luis Hacha), they then head for Hollywood, prepared to do anything for fame.

The night can be dark and full of horrors for small children, especially for Saúl, who has to cross a long darkcorridor to get to the toilet at night. But his father is trying his best to persuade him to cross. Because it is not dangerous and he will stand on one side of the corridor watching the whole time, so there is nothing to be afraid of.

Two lovers break the law and struggle to stay together when carnal obsession causes tempers to flare.

A tarot reader becomes obsessed with the feeling that a terrible misfortune is going to happen and will do anything to prevent it.

Arizona, 1875. Travis Lebeck lays unconscious in the desert. A family rescues him and then he decides to continue his way. Everything changes when an unexpected outlaw gang arrives forcing Travis to vary his plans.

A woman who is 27 weeks pregnant is the victim of an attack and since then she has remained in a coma, hovering between life and death. In such a situation of unconsciousness, bad memories and episodes of violence stir in her mind.

The literary activity of Emilia Pardo Bazán causes the scandal of her husband and conservative circles. Supported by his family, decides to end her marriage to become a professional writer. Doña Emilia is set in Madrid, where he developed an activity tirelessly to get the place in the institutions of culture that deserves for his talent and ability, facing all kinds of slights and exclusions because of their gender. The Countess will become one of the key figures of female emancipation in Spain in the late nineteenth century, leaving a work as extensive as rich and varied.

1939. A young art conservator from the Prado Museum is interrogated about a missing painting sought by a colonel. 80 years later, her granddaughter looks for her remains in a pit from the Francoist regime.

Guillem Agulló y Salvador was killed by a stab in the heart by a group of neo-Nazis on April 11, 1993. Destroyed, his parents, Guillermo and Carmen, will fight so that the death of their son is not manipulated, and is not considered the fruit of of a simple gang fight. The way, full of obstacles, threats and a dirty media war, will be about to destroy the family, who must learn to mourn the death of a child while fighting for his memory, which little by little becomes the symbol of a cause they would never have thought to lead.

Teresa is a dressmaker. She meets Samir, the greengrocer, who is actually a great tailor who had to emigrate from Pakistan. Enric, in the middle of a pivotal turning point in his life, returns to the village to attend the funeral of his grandma and discovers the relationship she had with Samir.

Janine works in a bank giving credits to clients to buy houses and receives the offer of a promotion to work in a future branch in China for which she takes Mandarin classes. One night he travels from work to his home on the subway. There is attacked by two young delinquents a very old woman and Janine tries to avoid it. The young follow her and it is then that they steal and attack her sexually. After recovering from the blows and the anguish he gets up and sees his attackers raping a helpless young girl. Janine, instead of taking some initiative to stop them, flees home. From that situation her life is disrupted and her job promotion to China, her consolidated partner and her present as an independent woman become secondary and worthless issues. Janine lives in anguish and tormented by the memory of that traumatic situation. To try to recompose himself, he travels to the countryside to see his father who is a widower and is trying to rebuild his life after the death of his wife.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Follows police officer Francisco "Paco" Miranda and his men through funny cases.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

Barselona bir sabah, Gaudí'nin ikonik binasından sarkan alevler içindeki ceset manzarasına uyanınca katili yakalamak gözden düşmüş bir dedektife kalır.

Alba bir sahilde uyandığında tecavüze uğradığını anlar ama önceki gece olanları hiç hatırlamıyordur. Sonra tecavüzcülerinin, erkek arkadaşının kankaları olduğunu öğrenir.

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

Lola, a Valencian living in Barcelona, is forced to return to Valencia to find solutions to the image crisis of the beverage company she works for. But when Lola returns, nothing is the same. Her mother has moved to Serrabella, a mountain town where Lola will find a possible solution to all her problems.