Paula Cancio

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Eski bir polis, önemli bir ulusal hakimin genç kızını henüz kaçıran bir grup mahkumun içine sızmak için sahte bir kimlikle mahkum olarak hapishaneye girdi.

The story is settled in the Middle Ages when three monotheistic religions coexisted and fought for power in the Spanish Peninsula: Christians, Muslims and Jews. The series mixes action, intrigue and love in the Castilian capital of Toledo. It shows us about all those who lived in the walls of a city full of ups and downs, labyrinths and shady hiding places.

İspanyol yönetmen Lucas Figueroa'nın 2017 yılı yapımı filmi. film, kendinden epeyce genç ve seksi bir kızla nişanlanıp evlenme hazırlığı yapan ve şirkette başkanlığa oynayan bir adamın hikayesi. kahramanımızın kendisine adres soran bir adamı bilmeden yanlış yere yönlendirmesiyle başlayacak olaylar zinciri bambaşka yerlere gidecektir. hoşça zaman geçirmek için seyredilebilecek bir komedi.

Uruguay (1972) unavoidably falls into a terrible dictatorship. Diego and Leonardo, two writers of a well-known TV comedy show, struggle to maintain their integrity under the pressure they receive to tone down their political satires against the military. On the side of the oppressors, Rojas, the lieutenant in charge of torturing subversive youth, finds emotional refuge in Susana, a prostitute. Slowly, the lives of all of them are deeply impacted by the yoke of the dictatorship that looms over them.

A group of friends and family reunite at the fancy new holiday home of a woman who is about to turn 40.