Alice Reichen

"İdam Sehpası"nda patronunun karısıyla aşk yaşayan bir iş adamının patronunu öldürüp olaya intihar süsü vermesi sırasında yaptığı küçük bir hatanın büyüyerek olayları içinden çıkılmaz bir hale dönüştürmesi anlatılmaktadır...

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions.

A methodical police inspector becomes entangled in a web of deceit after a murder investigation reveals disturbing connections to his own department. As suspicion tightens around him, he must outwit both the killer and the system to survive.

The life of Vincent de Paul, the 17th-century author and priest who founded two religious orders.

Aloise creates a series of haunting drawings while she is incarcerated in an institution for the insane in turn-of-the-century Switzerland. She endures torments as a musically gifted girl and later as a young woman; her developing madness and the barbaric treatments of the time are shown.

Anne, an unhappily married actress, temporarily assumes the identity of her sister Simone, the successful director of a London fashion house.

In the middle of the Algerian war, Elise, from Bordeaux, “goes” to Paris to join her brother to earn her living in an automobile factory. There she meets Arezki, an Algerian nationalist activist with whom she falls in love. A chronicle of working life at the time and which highlights the extent of police repression against Algerians.

Pierre is a middle-aged factory worker with plenty of unresolved anger. After his father's death, his mother feels compelled to move in with him. Having just moved there with his beautiful girlfriend, he begins to feel the pressure. When the May Day revolt begins, he goes crazy.

24 hours in the life of three Swedish girls in Paris. Seduced by the excitement but short of money they earn a few francs as nude models in an art school.

A pair of elderly men, friends for 40 years, find their relationship stressed when they set up housekeeping together in order to save money. Exploring similar ground to that covered in Neil Simon's play The Odd Couple, which spawned a movie and a television series, Ce Cher Victor explores the tragic and dramatic aspects of the story. The two friends, meek, sensitive Anselme (Bernard Blier) and blustering Victor (Jacques Dufilho) are swiftly driven apart by circumstances.

A chance encounter on a park bench in early Spring. Two takes on waiting and love.

After twenty-seven long months spent in Algeria, Frédéric Simon, a young photographer is determined to forget this time of trouble. Now that the Army has finally discharged him he wants to live the good life. And at first, things go according to his wishes: not only does he marry Sylvie but they are invited by a wealthy man to Monte Carlo, where they spend a dream honeymoon. But back in Paris, hard times await them. Not finding work easily along with having to live in a cramped apartment make Frédéric bitter and unpleasant. When Sylvie becomes pregnant, he slams the door and finds consolation in the arms of Christine, an ex girlfriend, which he soon regrets. At last, the situation improves. Frédéric finds work and starts making money as a fashion photographer. But the good life cannot go on: one morning a policeman knocks at the young couple's door: the country wants Frédéric back in the Army.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

Paris, 1925. Bénédict Masson, bookbinder and poet, is secretly in love with his neighbor, Christine. Christine works at the strange Coulteray mansion where the marquise accuses her husband of being a vampire. But Bénédict has other preoccupations: six of his apprentices have disappeared without a trace.