Adolfo Moura

Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.

In the campaign that could change her career as fashion influencer, Paula Pratta only needs one essential item: her son. But he trades his business school in California for a permaculture institute in Amazon. With assistant Taylor, she sets off in search of the boy and finds a world without filters and much more than she expected, including the chance to reconsider what really matters in her life.

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

Based on the true story of four friends who decide to install a communal pirate radio station called Rádio Favela in a shanty-town, to give voice to the outcasts' complaints.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

A high class lady from Brazil falls into a fake kidnapping scam when she answers a stranger’s phone call. Believing that one of her daughters has been kidnapped, she is guided by a terrifying voice for 12 hours through the cities of Sao Paulo and Rio de Janeiro.

Dear Mom centers on the conflictive relationship between Heloisa, a recently divorced doctor, and her mother Ruth. Heloisa blames Ruth for her bad relationship with her own daughter, her failed marriage, and even her unsuccessful career. It’s a conflict that worsens when Ruth, after being diagnosed with cancer, finds out that Heloisa has fallen in love with Leda, a painter she met at the hospital where she works. The new relationship is not well accepted by her family, let alone by Ruth, which worsens the friction between them.

Frederico, after losing his partner (Antonio), must cope with the absence and emptiness in the house, while also continuing with his life, preserving the memories of his beloved. Upon discovering his late husband's butterfly collection, he notices an empty space meant for a specific blue butterfly. He devotes the following days to trying to capture the missing butterfly. This journey of discovery causes flowers to bloom from his body.