Gunnvør Nolsøe

Three siblings ingeniously avoid being sent off to a children's home while their solo-mother serves a short sentence in a prison for shoplifting. Rather than have the news leak out and have to be escorted off with the eccentric welfare officer, they invent a 'never present' dad who is looking after them.

Young vicar Mr. Paul arrives at the Faroe Islands to take up a benefice, and meets the young Barbara, twice married to vicars, and with both husbands laid cold in the grave. Despite the warnings of the surrounding community and his own religious scruples, he falls victim to Barbara's at once innocent and sinful charm. The appearance of the charming and gallant Andreas Heide in Thorshavn puts their love to the severest of tests.

The story opens just before Christmas, when solitary, apathetic bank clerk Flemming Borck uncovers a plot to rob his bank. After doing a little rookie recon, Borck identifies the would-be bank robber as a faux shopping-mall Santa Claus, and counter-plots to steal the money himself and let Santa take the blame. This works out about as badly as you might imagine, and our bumbling protagonist spirals further and further away from the carefree, laconic lifestyle he had hoped to ensure for himself.

A middle aged married woman suffers from depression. Her husband suggests she get a dog, but instead she gets a job. Treatment of the women workers leads her into a hilarious fantasy in which roles are reversed and bearded men sit behind typewriters worrying about their looks and what to buy for dinner. She gets involved in a strike and loses her job, but has found some friends and a more positive attitude to life.

At their 25th high-school anniversary some bourgeois citizens remember their time in school as a happy one. In reality it was quite the contrary. The school was a madhouse in which the teachers, especially Blomme, tormented the students. As a result one of them became a murderer.

In the wake of a divorce, Thelma now lives alone with her teenage daughter Irene. Somewhat overwhelmed by the situation (and initially often hiding in bed), the two women embark on new experiences. The contours of new identities and a firmer footing as individuals gradually emerge.

Outside the large hotel, there is a lot of activity. It is teeming with foreigners, buses arrive and depart, and indoors the air is filled with foreign languages. But if you look more closely, you will discover that the doorman, hotel porter, waitresses, and waiters are not "real" hotel staff at all, but just students who take on extra jobs in the summer to earn money for their studies and who live in the "hotel" themselves in the winter, which is actually a student dormitory called "Egmont."

Krallık, Danimarka'nın en modern ve teknolojik imkanları en ileri seviyedeki hastanesidir. Üstün kadrosu ve sınırsız olanakları, ile adeta modern tıbbın simgesi gibidir. Ancak hastanenin inşa edildiği yer, eski bir bataklıktır ve bu bataklık korkunç sırlar gizlemektedir. Hastanenin içinde doktorların arasında gelişen garip olaylarla, hastane koridorları arasında gezinen ruhlar arasında bir paralellik vardır. Şeytani bir güç Krallık'ın köklerine sarılmıştır. Kieslowski'nin olağanüstü Dekalog'undan sonra sinema dünyasının en önemli TV projelerinden biri sayılan Krallık, içerdiği gerilim öğesi kadar, keskin bir toplumsal hicivleriyle de dikkat çekiyor.

Copenhagen thirtysomethings Nikolaj and Julie struggle with marriage, baby and work, plus friends of varying maturity.

During the occupation in 1944, filmmaker Otto Baumann is murdered. Detective Helge Nielsen stubbornly investigates the case — even as he's hunted by the Germans.