Olaf Möller
Oyuncu
Filmler9
- Film
Cologne filmmakers visit a local critic.
Möller 3000
1999
Film6.0BelgeselA documentary about German cinema from 1960 to 1990. It follows "Verfluchte Liebe deutscher Film."
Film7.0BelgeselDocumentary about German film critic Michael Althen.
Was heißt hier Ende? Der Filmkritiker Michael Althen
2015 · 2 votes
Film8.0BelgeselAn alternative history of the not-so-well-known West German genre cinema of the 1960s and 1970s.
FilmBelgeselWith free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?
A Nau dos Loucos: Mergulho e Decolagem de Pazucus
A Ship of Madness: Deeper and Higher with Pazucus
2021
Film5.0BelgeselMüzikGuided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.
Texas Carlos Massacre
2021 · 1 votes
FilmIn 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.
Film6.2BelgeselA kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?
- FilmBelgesel