Ilir Jacellari

1983 Dünya Ralli Şampiyonası'nda Audi ve Lancia arasındaki şiddetli rekabet sırasında meydana gelen gerçek olaylardan esinlenilmiştir.

A.C.A.B., 1940'larda Birleşik Krallık madencilerinin grevleri sırasında kullanılmış ilk kez. Kısaltma olarak kullanılan şifrenin anlamı sorulduğunda grevciler, Always Carry A Bible (Daima Kutsal Kitabı Taşı) olduğunu söylemişler. Filmde olaylar üç çevik kuvvet polisi (İtalyanlar hızlı polis diyor) etrafında dönüyor ve kendilerini şiddet dolu bir dünyaya orantılı/orantısız tepki verirken görüyoruz. Nefretin ve ümitsizliğin hâkim olduğu bir toplumda, agresyon ölçüsünü yitirirken polisimiz ifade vermek zorunda kaldığında davranışlarına bir şekilde mazeret bulmaya çalışıyor. Otoritesini korku ve kaba kuvvetle resmen empoze etmekte beis görmeyen günümüz devlet ve güvenlik kuvvetlerinin sinsi tavrı göz önüne alınırsa A.C.A.B.'nin dünyada ve Türkiye'de örnekleri bolca görülen polisi sempatik gösterme propagandası girişimlerinden mi, yoksa politik doğruluk konusunda bize ders verebilecek bir eser mi olduğunu bütün filmi görünce anlayacağız.

Christian is an extremely talented as well as unpredictable football player. After his latest screw-up, the president of his team decides to assign him a personal tutor, to help him in controlling his temper. Valerio is a shy and solitary professor, the exact opposite of the champion. Sparks will fly between the two at first, but soon their relationship will change both for the better.

Three families go into crisis when their daughters get engaged because they are convinced that their young daughters have all chosen a wrong partner.

Has been an year since Pietro Zinni's gang got caught in the Sopox production laboratory and each of them locked up in different jails. From Regina Coeli jail, Pietro keep warning the authorities a fool syntetized nerve gas and he is ready to make a killing, but no one takes him seriously.

Three life-long friends struggle with an early middle-age crisis as they start to try to get a job for the first time. An ironic quest to avoid becoming an adult and accept responsibilities.

The Russian magnate Ivanov dreams about having The Popcorn, his favorite Italian musical band from the 80s in Saint Petersburg.

The life of Italian journalist and writer Oriana Fallaci.

The film is about two worlds, different and parallel, living together in the same territory: the Gran Sasso of Italy. The contact between the two realities occurs through the characters of Max, a nuclear physics researcher who works tirelessly in the laboratory located in the belly of the mountain, and the shepherd Bajram. In fact, the shepherd walks on the physicist's head but neither of them knows it. Inside the laboratory the most advanced craft of mankind is being developed, above the mountain, on the other hand, there are poor immigrants doing the oldest work in the world. Gran Sasso is, according to the director, the synthetic image of globalization.

Giulio suddenly finds himself having to change his life when his wife, after discovering his betrayal, asks for a separation and, suddenly, the reality around him is no longer the same. Forty years old and father of two children, Giulio is forced by circumstances to say goodbye to family and economic well-being and to study new solutions in order to stay afloat and not drown in a new poverty made of double rents and double bills to pay, solitary lunches in fourth-rate restaurants, children's wishes not to be ignored and creditors to hide from.

Daniel is the only African-Italian officer in the flying squad in Rome, tasked with evicting 150 families from an apartment building that they have taken over. One of the families is his own.

In a working-class neighborhood in Rome, a barber bothers his customers and neighbors with conspiracy theories he reads online. At home and in his small community nobody takes him seriously, especially when he convinces himself that streetlights send secret signals via Morse code. Yet, when the police arrive at his door and arrest him in front of his family, his credibility takes an unexpected twist.

In a dystopian Rome, a law is enforced which does not allow immigrant families to have more than three children. If a fourth is to be expected, he or she must be born, however, one of them must then be killed, giving the females priority for sacrifice. Zoe, Iris and Clio are three sisters, but one of them will soon be killed. Tria is a tragic story, suspended between life and death, set in the home of a family that has accepted to sacrifice its integrity in order to carve out a place in the world. A dystopian story, yet not so far from what could happen, or what, somewhere else, may have already happened.

Albanian teenager, Saimir, emigrates to Italy to start a new life with his father. His father tries to make a living transporting illegal immigrants. When this fails to make his father any money, he is drawn into an insidious prostitution ring. Saimir helps his father, but a love interest makes him question his life and future.

The tragic story of Lucia Annibali, told in a TV movie starring actress Cristiana Capotondi. Annibali, a 35-year-old lawyer at the time, was attacked with acid by two men. The instigator was her ex-boyfriend, who could not accept that she had left him.

In a lower-class neighborhood in Rome, there is a barber who believes in conspiracy theories. He is the laughing stock of his family but also at work. Nobody takes him seriously until he gets arrested by the police.

Niccolò, a forty-year-old man with a successful career and a desire to give back some of what he has received in his life, becomes the foster father of Federico, an eighteen-year-old with a difficult past who grew up in a community. A deep and complex relationship begins to develop between them, an emotional rollercoaster that never quite manages to find true balance.

Detective by chance, out of anger and human curiosity, always poised between ironic indolence and blues yearning, in his search for the truth Carlo Monterossi will have to confront a couple of cultured and professional killers, two gypsies looking for revenge, collectors and smugglers of Nazi-fascist souvenirs, incredible personal exchanges, a woman who seems to have lived several times and a cruel past that returns and leaves indecipherable clues behind. A comedic twist based on Alessandro Robecchi's successful crime novels.