Zuenir Ventura

Considered one of the main Brazilian intellectuals, Heloisa Buarque de Hollanda — a member of the Brazilian Academy of Letters — left important marks on national thought and continues to be, at 84 years old, an active voice on the country's cultural and behavioral issues. The documentary sheds light on the trajectory of this icon who has always been at the forefront, serving as an antenna and beacon for cultural and social movements that are to come, while delving into Heloisa's intimacy thanks to the access of her eldest son, director Lula Buarque de Hollanda.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.

A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.

Documentary about the 68-generation, told through the story of the newspaper “O Sol”, one of the first vehicles of the alternative Brazilian press, produced daily for six months, in the 1960s. The newspaper spoke of culture, politics and education through satires and prominent figures in the cultural scene of the time passed through him. Archive scenes and music from the period seek to reconstitute the spirit of the 68-generation. The film has the participation of personalities such as Ziraldo, Zuenir Ventura, Arnaldo Jabor, Chico Buarque, Caetano Veloso, Carlos Heitor Cony, Fernando Gabeira, Betty Faria, Hugo Carvana, among others.

Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.

Documentary about Brazilian samba songwriter and singer Paulinho da Viola, one of the most sophisticated musicians of the genre. The film shows his biography, influences, masters and friends, as well his simple and peculiar way of life, with activities like restoring old cars, working with wood, playing billiards.

Jean Leguay, working under the pseudonym Jano, is a pop French visual artist. In late 2000, he visited Rio de Janeiro in order to make this book. Jano immersed himself completely in the “Rio de Janeiro life style”, going to places that will never be showed on post cards, meeting people from all layers of society, observing, experimenting, interacting.

A man emerges from the slums of Rio to lead the nonviolent cultural movement known as Afro-reggae.