Nick Sutton

Teenagers Solomon and Tummler kill time in Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s.

A young woman on probation for a petty crime embarks on a journey of self discovery after the loss of her child. A middle aged executive working in Artificial Intelligence experiments with a new interface with devastating consequences. A rock-and-roll wannabe on the verge of stardom has a crisis of faith, stealing a car and heading out on a road trip with a mysterious young girl. Their lives are about to cross, unaware of the connection they share.

There is another side to London that remains unknown to the tourists, that emerges only at night, that comes alive in aging terraced houses and sprawling estates. It is a world of pills of dubious origin swallowed hurriedly and hopefully, of music with a thumping beat that you'll still hear when you wake up the morning after, of Rizla papers bought from an all-night garage, of bottles of mineral water shared as love tokens, of greasy kebabs eaten when the taste-buds have long since numbed, of sunrises viewed through stinging eyes. It is close to heaven, but it is very close to hell. For Rat, a fifteen year-old drug dealer, it is the only world he knows. Over one night Rat's world turns upside down as he finds himself on the run from older, far more serious criminals. We follow Rat as he looks for shelter with those he thinks he can trust. As each door closes on him, the likelihood of ever seeing the light of day again grows smaller.

The Upper Hand is a British television sitcom, produced by Central Independent Television and Columbia Pictures Television and broadcast by ITV from 1990 to 1996. The programme was adapted from the American sitcom Who's the Boss?. As in the former series, an affluent single woman, raising a son with the help of her mother, hires a housekeeper only to have a man apply for the job.

John Thaw dons the silks as barrister James Kavanagh Q.C., one of the most highly respected criminal advocates in London, commanding admiration from colleagues and opponents alike. However, all this has come at a price as his dedication to work has taken its toll on his private life… Going beyond traditional courtroom dramas, “Kavanagh Q.C.” uncovers the pressures of legal battles and the problems of defining the truth, providing a compelling representation of the euphoric ups and costly downs of success and failure in the legal world.