Parivash Nazarieh

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

The story of life of Gholam Reza Takhti from his childhood till adulthood, his matches and finally his death.

Throughout the two days preceding her long-awaited wedding, amid the flurry of arriving relatives and the preparation of a seemingly endless array of colorful, culinary delights, young bride-to-be Pasandide finds herself the center of attention. The event also proves an occasion for extended family to reconnect, reminisce and rejoice in the pleasures of familiar company. The family compound of aged Uncle Ezzatolah proves an ideal site for this summer reunion among three generations, with its lush courtyard gardens, labyrinthine parlors and passageways and erratic electrical system (subject to untimely city blackouts).

Farid should fix a marriage between his two unlikable friends to earn a huge money.

Hossein Moradi, a 60-year-old worker from Abadan, has many times been forced to fire his colleagues in the shipbuilding factory on the employer’s order. However, this time he decides to create a chance for the workers by drawing lots. He also volunteers to be fired so to save ones place. One of the workers protests and gets into a fight with Hossein. A few days later his children give him a ticket to India to visit with his wife. But after a coulpe days someone breaks into his house steals the compensation money and the tickets. Hossein suspects that angry worker.

Set in early‑1980s Abadan under siege during the Iran–Iraq war, the film centers on a group striving to keep alive the Metropol Cinema, a beloved local theater now in ruins. Against the backdrop of conflict and nostalgia, characters recall their youth, childhood memories in the cinema, and cling to hope through the survival of this cultural landmark.

A number of inmates from a reformatory school are scheduled for release. As a condition for their discharge, it is specified that the younger boys should live either with their families or in government supervision centers. On the appointed date, however, Mohsen Ghaderi's parents do not show up to take their son. Another boy, meanwhile, Sohrab, an orphan, is not accepted in the government supervision centers. The film depicts the real lives of these two young boys among other inmates of the reformatory school. The past, the present and whatever is destined to happen in the future are what this film is all about. The causes of crime, the roles the family and society play, and the efforts to re-educate juvenile delinquents at reformatory school are of particular interest in the film.

The story of Zeinal, a man who after 20 years of being a POW, tries to clear up his past.

A government bodyguard protects a politician from a suicide bomber, and then begins to question his dedication to his job.

A young homeless girl supports herself as a surrogate mother for money. A human rights attorney tries to help her change her life, but ithe challenges seem insurmountable. This is a rarely seen side of Iranian society.

This movie is a romance scene in the context of a city trip in Tehran, where the main character of the film is trying to maintain the balance between the four personality dimensions of a woman (Mistress, Mother, Amazon, and Madonna archetypes). Like the very close encounter, this movie has a playfulness and narcissistic feelings besides thematic and temporal concerns.

Taha (played by Amin Tarokh) returns to the country after many years of war and captivity in the war. But he realizes that everything has changed, even his family has changed, he does not know that there is a truth behind these bitter facts.

Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?

A young woman goes on a long journey to find her beloved in the Kurdish region of Iran

ran is on the verge of civil revolution. The airport is closed and all international flights are canceled. There are so many people trying to leave Iran with the last flight: a wounded protester with his wife, a young man longing to go to France to search for his fiance;, a nomad - an old man carrying top secret documents for the revolutionaries abroad, a young clerg...

Arash is an Iranian academic who lives in the West. He returns to Iran to teach in Shiraz, a city far from Tehran where his mother lives. Drawn into a series of domestic and financial dramas, he faces a country that is now alien to him. Following the death of his father and the discovery of what his “respectable family” has become, he is forced to make choices.

For some time Taha [Saber Abar] and Reyhan [Nazanin Bayati] have been looking after an old man named Manuchehr Asef [Khosro Bamdad] because of a newspaper advertisement. When Asef dies of ...

An imaginative dreamer university named Garoos professor falls in love with a student who resembles her teacher in this manner. Love story is endangered when a business competitor sets Garoos up for unethical behavior.

The film is about Amir and Mehraneh, a married couple who can’t stand the sight of each other. Their marriage three years ago was a mistake, and their hellish life together has exhausted them — yet they are forced to tolerate each other for one more day and night.

The story is about a daughter of a noble family in old Tehran named "Mahboobeh" who falls in love with a carpenter's apprentice from their neighborhood. She rejects his suitors and stands up to her family so that they will recognize this love and consent to her marriage to Rahim. Unaware that the wheel of time sometimes does not turn according to the will.

Armin is a gifted and introspective student of network security that spends most of his time on his newly established book publishing site.

Madineh is the story of a courageous and strong woman who does her best to bring her family back together after losing her husband, Jahan, who leaves a factory to his son, Bahman.

The series is a love story of a few girls and boys, with middle-class families forming the body of the story and depicting the problem of unemployment and the challenges of the young generation. The main character of the story is about Arash, played by Mohammad Reza Ghaffari, a university elite who leaves the university due to his mother's illness, and the series' story continues.