Anita Laurenzi

Mario Puzo’nun romanından uyarlama olan Michael Cimino’nun yönettiği filmde Salvatore Giuliano 1940’larda Sicilya’nın İtalya’dan ayrılması için mücadele veren bir kahramandır. Giuliano’nun popülerliği arttıkça egosu da aynı oranda büyür ve mafya üyesi destekçilerinin gücünü daha az önemsedikçe kendini, hayatta kalma mücadelesinin ortasında bulur.

17.yy İtalya'da ünlü bir keman ustası tarafından üretilen kırmızı bir kemanin şimdiki tarihe kadar başından geçenleri anlatan uluslararası bir yapım. Film tarot falı ile açılır, süresince falın anlattığı 'doğacak çocuğun' yerini kırmızı keman alır. Keman kırmızıdır çünkü 'doğacak çocuk' doğamamış annesiyle beraber ölmüştür, kanlarıyla da keman cilalanmıştır. Bu muhteşem Kanada, ABD, İtalya ortak yapımı film alışılmışın dışında çarpıcı bir öyküyle çıkıyor karşımıza.

An Italian high school student becomes infatuated with a woman he sees outside his class window. Her fiancée is in jail for being involved in a radical movement, and she spends much time in court providing moral support. At first she resists the student's advances, but eventually begins an affair with him. Their situation is condemned by her family and his father, who is the woman's psychologist.

An archeologist's wife has recurring nightmares about ritual killings in an Etruscan tomb while her husband is away excavating a lost temple. After a phone call where she is forced to listen to him being murdered, she travels to the excavation site to solve the mystery of his death.

The Prince of Homburg, disobeys orders and leads a cavalry charge in battle against the Swedes, which leads to victory. He is court martialled however for disobeying orders and sentenced to death. His love who is now to be betrothed to the King of Sweden, following his execution appeals to the Elector, her uncle, on his behalf, as do his comrades in battle. He must also contend with his own desire to live and conflicting sense of honour.

In a high school in the outskirts of Rome, it's the last day before the summer holidays. A literature teacher reminisces the past year and wonders what will become of the students he cared for as if they were his children.

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

Matteo and Piterone, lifelong friends, try to pass their high school exams for the third time, but then Margherita arrives and love enters their lives. Muccino's debut film.

A psychologist acquires wife and lover of a friend of him. But he has two more relationships yet. What will he do with four women following him?

Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century, plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him.

The story of the “Oresteia” begins with King Agamemnon's return to Argos after the fall of Troy. The chorus, composed of old Argives, recalls the sacrifice offered to the gods by Agamemnon, in Aulis, of his daughter Iphigenia to gain their favor.

In 1935, Pietro Spina, a communist intellectual forced to emigrate for political reasons, secretly returns to Italy, driven by nostalgia for his homeland. Under the identity of Don Paolo Spada, a priest recovering from illness, he moves to Pietrasecca, a small village in the mountains of Abruzzo.