Franz Pätzold

Film, Doğu Almanya'dan kaçarak Batı Almanya'da kendine bir hayat kurmaya çalışan fakat Nazi rejimi altında geçmiş çocukluğunun izlerinden kurtulamayan Alman sanatçı Kurt Barnert'in hikâyesini anlatıyor. 1930’ların Nazi Almanya’sında başlayan ve 30 yıllık bir döneme yayılan bu hikaye, insanları karanlıktan sanatın gücünün çıkarabileceğini gözler önüne seriyor. Gerçek olaylardan esinlenen filmde, Kurt ve Ellie üniversitede tanışır tanışmaz birbirlerine aşık olurlar. Ellie’nin babası, Profesör Seeband kızının erkek arkadaş seçiminden memnun değildir ve bu illişkinin bitmesi için elinden geleni yapmaya hazırdır. Fakat bilmedikleri şey, Kurt ile Seeband’ın yaşamlarının zaten yıllar önce Profesör’ün işlediği korkunç bir suç nedeniyle bağlantılı olduğudur. Kurt, ne kadar sanatına odaklanmak istese de, Nazi rejimi altında geçen çocukluğunun ve komünizmin gölgesinde kalan gençliğinin yarattığı travmalardan kurtulmak kolay olmayacaktır.

Starnberg. An idyll with fangs. This is where police master trainee Ariane from Dortmund ends up. Inspector Lu takes her firmly under his wing. Her first cases are typical and strange: the Kini is found dead in the lake - again. And then Sisi is kidnapped.

The clock is ticking for Kai. His psychotic brother has just been granted an early release from prison and by this afternoon, he'll come around to collect the money Kai has been holding for him. The problem - all the money's been spent.

After a night out at a disco, 17-year-old Finn is hit by a car driven by aspiring judge Maxim Vollert. He leaves the seemingly uninjured man behind, who succumbs to his internal injuries. Finn's brother Mike, who reproaches himself for letting the drunk Finn walk home alone, meets Sylvie Vollert at Finn's grave, who was sitting next to her husband in the car on the night of the accident. A passionate relationship develops between Mike and Sylvie. Mike soon suspects that Sylvie was involved in his brother's death. When Mike tells his parents about the growing suspicions against the Vollerts and his mother finds out about the liaison between Mike and Sylvie, her world collapses.

Young journalist Agatha switches from the sports department to the investigative department of a right-wing conservative news portal. She travels to rural Hesse to investigate the disappearance of a girl. In order to prove herself, she pressures the victim's relatives into making emotional statements. Agatha underestimates the questionable methods of the tabloid media and loses control.

Luisa loves her teaching profession and is popular with her students because of her fresh teaching methods. But shortly after she refused to give a student a high school recommendation, a nude photo of her appears on her school's website. Her life becomes a gauntlet. Nowhere is she safe from sexual reprisals, her elementary school leaves her on leave and the police investigation leads nowhere. Then the young woman disappears. Traces in her house indicate a violent crime. Was Luisa the murder victim after the infamous slander?

When David visits his family for Christmas, a family encounter of an especially evil kind awaits him. Ironically on Christmas Eve, he realizes that his family has abandoned all sense of brotherly love and liberal values. They are afraid. Afraid of change, afraid that something will be taken away from them. David can’t handle the latent racist talk and shirtfronts his parents. The fact that his father, the very man he has always looked up to, is now spewing right-wing propaganda, shocks him. David cannot simply ignore it.

During WWII, a bunch of children, with 11-year old Anton and his younger brother Rudi in the middle, meet up at a wall at the cemetery. They regularly have tests of courage. As it is Rudi's turn, he makes his way, armed with a knife, to the grave of a child murderer, where the night ends in terror.

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

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