Adila Bendimerad

1516 yılında Cezayir’in karanlık ve çalkantılı atmosferinde geçen olaylar, dönemin İspanyol sömürgeciliğinin zulmü altında inleyen bir toplumu konu ediniyor. İşte tam bu kaos ortamında, Osmanlı İmparatorluğu’nun denizlerin efendisi Barbaros Hayrettin Paşa’nın kararlılığıyla bir dönüm noktası yaşanır. İspanyolların baskısından kurtulan Cezayir, yerel krallığın yeniden kontrolü altına girer. Ancak tüm bu değişim ve umut dolu anların ortasında, Kral Salim Toumi’nin gizemli bir şekilde ölümüyle olaylar yeni bir döneme işaret eder. Ortaya atılan iddialar, bu ölümün Barbaros Hayrettin Paşa’nın entrikalarıyla ilişkilendirilmesine neden olur. Karmaşık bir siyasi entrika ve suikast bulutları Cezayir’in üzerine çökerken, cesur ve kararlı Kraliçe Zaphira sahneye çıkar. Zaphira, cesareti ve stratejik zekasıyla donanmış bir lider olarak, Cezayir’in özgürlüğü için mücadele etmeye başlar. Ancak bu mücadele onu tehlikeli engellerle ve ölüm tehditleriyle karşı karşıya bırakır.

After a 1993 crash, amnesiac Ahmed returns home bandaged. His child fears him, and nightly visitors speak in strange tongues. His neighbor makes him uncomfortable, leaving him questioning everything.

After the December riots and the first peaceful marches in Algeria, while the Arab Spring begins in Tunisia and Egypt, Fouzi wants to gather his actors to show them the unfinished editing of the film he made two years ago on the illusion of a young man who seeks to express his artistic ideas. He seeks another point of view, especially an end, and he relies on the reactions of the actors to invent a new resolution of his history, in a country suddenly raised by a wave of disputes. During the projection of the film, the debate takes place: what is the place of art creation in Algeria today? How to create something without confronting censorship? How to resist ? By making movies or walking in streets towards a new revolution? Two stories intertwine, fiction and reality? A new vision of the Algerian youth of today in full political and artistic questioning.

Malek, in his forties, single, has just moved to Montmartre and will soon welcome his nephew Ryiad, who has just arrived from Algeria, into his home. Together they discover Barbès, the neighborhood of the Algerian community, very lively, despite the current health crisis. His meetings with local figures will allow Malek to find a part of himself that he had buried, and to reconcile with his origins.

In 1926 Algiers, amidst political and cultural upheaval, Ghazala battles against French colonial justice to pursue her acting career and secure a better future for her daughter.

Still Burning tells the unexpected reunion in Paris in June 1998 of André, a Lebanese filmmaker living and working in France, and Walid, the very close friend he has not seen for years. In their youth, in Beirut, during the civil war, they were both possessed by the same artistic vocation: Cinema, but also by the same woman: Amira. Their reunion, all night long, will not fail to awaken their old repressed demons for better or for worse.

Karima, a famous photographer who has been living in Paris for several years, is forced to return to Algiers after receiving a call from her mother informing her that her tyrannical father's health is rapidly declining. This forced return reawakens the scars and ghosts of a repressed past, especially when she learns that her brother has joined an armed group.

It's the year of the baccalaureate for Magyd, a little Arab from rue Raphaël, northern districts of Toulouse. A formality for the French, a seismic event for the “native”. Just think, the first Arab ferry in the city. The end of a tunnel, the climax of a long standoff with fate, under the incessant loving pressure of the all-powerful mother and the jeering quelibets of the gang. Because it is not good to pass for an “intellectual” after school, in the periphery of “living together”; Magyd and his inseparable friends, Samir the activist and Momo the chat artist, experience it on a daily basis.

Algeria region of the high flatlands. As Islamist groups continue to spread terror, Rashid, a young Jihadist, leaves the mountains to return to his village. In keeping with the law « of pardon and national harmony », he has to surrender to the police and give up his weapon. He thus receives amnesty and becomes a « repenti ». But the law cannot erase his crimes and for Rachid it's the beginning of a one-way journey of violence, secrets and manipulation.

During a beach excursion, Nfissa, a young mother, is violently sexually harassed and drowned by a group of young men after she absent-mindedly swims into their midst. Nobody seems to witness her disappearance. Anxiety and fear grow among her family, especially as, on the same beach, bathers suddenly start dying en masse.

A sprawling, masterful depiction of a day in the life of Algiers by arguably Algeria’s greatest living filmmaker, Merzak Allouache.

Driven by an urgent need to amass a large sum of money in a short time, a man assembles a team specializing in theft and fraud, leveraging its members' skills in disguise and deception to exploit their victims. Though united by a common goal, each member harbors their own motives and ambitions.