Vickery Turner

1916, 1. Dünya Savaşı. Fransa'da kanlı ve çamurlu korkunç bir savaş başlatılmıştı. Ve kısa sürede bu kabus İngiltere'nin huzurlu kırsal kasabalarına kadar sızacaktı. Yaralanan ordu subayı Chris cepheden evine döner ancak, son 15 yılın bütün anıları hafızasından silinmiştir. Zihninden silinen şeyler arasında mutlu bir evlilik ve becerikli Kitty'de vardır ki o, Chris'in kuzeni ve çocukluk arkadaşı tatlı Jenny ile birlikte kırsaldaki evlerini paylaşmaktadır.

Doğduğundan beri komada olan 30 yaşındaki bir adam, sonunda çığır açan bir beyin ameliyatıyla bilincine kavuşturulur. Adam fiziksel olarak bir yetişkin olmasına rağmen bir bebeğin gözünde "yeniden doğar"; onunla ilgilenen doktorlar ona yürümeyi, konuşmayı ve dış dünyadaki hayata hazırlanmayı öğretmelidir. Hastaneden kaçarken, kimliğini bilmeyen insanların arasında dolaşırken ve polis tarafından takip edilirken gerilim artar.

Influenced by concerns about overpopulation, the counterculture of the 1960s and the societal effects of television, the play depicts a world of the future where a small elite control the media, keeping the lower classes docile by serving them an endless diet of lowest common denominator programmes and pornography. The play concentrates on an idea the programme controllers have for a new programme which will follow the trials and tribulations of a group of people left to fend for themselves on a remote island. In this respect, the play is often cited as having anticipated the craze for reality television.

Prudence Hardcastle is on the pill. So is her sister-in-law, but someone has been swapping aspirin for their pills. Is it the teenage niece, the maid, the chauffeur, a lover, Prudence's husband Gerald, or all of the above?

The passengers and crew of a boat on a summer cruise in the Caribbean stray into the famed Bermuda Triangle and mysterious things start happening.

A private eye is hired to follow a mobster's former mistress.

Two crooks are hired to rob an eccentric old lady's estate, but once they get to know her, they can't bring themselves to do it.

Semi-autobiographical TV play by Dennis Potter, from the BBC's 'Wednesday Play' series. It deals with the experiences of Nigel Barton, a young man from a poor mining community who wins a scholarship to Oxford University. The villagers accuse him of snobbery, while the rich University students treat him like a peasant. Uncertain of which sphere he should be moving in, Nigel tries to reconcile himself with his proud but stubborn father, and also succeed at University, despite its pretentions which apall him.

The most accurate portrait ever made of the events surrounding the Kennedy assassination and the subsequent assassination of Lee Harvey Oswald.

The lives and loves of three young working class women, set in the pubs, terraced houses and factories of Battersea, South London.

A romantic tragedy about two turn-of-the-century couples - one American, one British - who regularly vacation together at a spa in Germany.

Kate, a young girl under psychiatric examination, suffers from a lack of confidence, self-esteem and self-control – telling of the “bad Kate” who commits immoral acts. Could the hypocrisy, selfishness and weakness of those around her have led to this state of mind or can Kate simply be diagnosed and dismissed as a schizophrenic?

An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.

A BBC television anthology series featuring productions of classic and contemporary stage plays usually broadcast on BBC1. Each production featured a different work, often using prominent British stage actors in the leading roles. The series was transmitted from October 1965 to September 1983.

The Waltons live their life in a rural Virginia community during the Great Depression and World War II.

An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.

Theatre 625 is a British television drama anthology series, produced by the BBC and transmitted on BBC2 from 1964 to 1968. It was one of the first regular programmes in the line-up of the channel, and the title referred to its production and transmission being in the higher-definition 625-line format, which only BBC2 used at the time.

The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

Terry Collier and Bob Ferris are good friends. Terry was working class and secure in his life, whereas Bob was more aspirational, determined to work his way to a better place. Both viewed the others' worldview with disdain, but they were united by events, generally revolving around the pursuit of women. Although 20 total episodes were filmed, only 10 are currently known to survive. There is one missing from the first season, three from the second, and six from the final run.

Armchair Theatre is a British television drama anthology series of single plays that ran on the ITV network from 1956 to 1974. It was originally produced by Associated British Corporation, and later by Thames Television from mid-1968.

Dramatized biography of the Brontë sisters Charlotte, Anne and Emily.

Rock star Shelley Maze struggles to come to terms with her failing career and her relationships with the people she'd worked with.