Igor Škvarica

Sara firmly disagrees about her granddaughter’s wedding plan. To convince her not to marry, she takes Andrea to her husband grave and begs him for a sign.

While her middle class, socialist family is falling apart around her, Berina, a young artist, tries to cope both with her awakening sexuality and her mother Jasna's imminent death. Her father cannot accept the fact that life is already happening without his wife. Her younger sister Luna cannot or does not want to grow up. For everybody's sake, Berina wants to save her mother's life and her family the only way she can - through art, and through magic.

Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.

A story that will show you through a multitude of unpredictable, humorous, but also stressful situations how diversity works. when they have the same goal.

The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.

Riki works for a struggling catering company. Ado, his misogynistic colleague and brother-in-law, wants to fix the business by beating up Melisa, a former co-worker who is a top cake-maker, to force her to work with them again. All the rest of the employees dismiss Ado's plan as stupid and senseless. However, Ado is a stubborn savage, and his colleagues know he won't give up unless he is stopped. Riki is divided between a sense of justice, and the norms through which we tolerate family and friends no matter what they do.

A filmmaking process helps one filmmaker son deal with his emotionally closed father.

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.

Snorty a rehabilitated outsider tries to find a place for himself in a society in transition. All his past sins will come to haunt him and show him that personal transformation is impossible.

During a troublesome shooting of a short art film about a war crime at the location where it took place, three young independent filmmakers discover they are being watched by a stranger.

Twenty-six-year-old Igor is a maintenance worker at a medical rehabilitation center where 71-year-old Edita is undergoing therapy. Their chance encounter will turn into an unusual relationship. Without exchanging a word, the two realize they are kindred spirits and start changing one another. What happens when you share the last days of your life with a stranger?

Sean Bean ‘in başrolünde olduğu dizi; her operasyon için kendini bambaşka kişiliklere sokabilen bir casusun, aslında kim olduğunu bilmediğini zamanla fark etmesini anlatıyor.

The disappearance of a bus through the Komar mountains triggers a chain of events revealing a network of secrets, hidden forces, and power that transcends reality. At the center is a young journalist, Mersiha, who must decide how far she is willing to go.

A single mother of a teenager in the midst of a divorce, Nevena Murtezic struggles to balance her life between her 17-year-old son, Dino, and a job constantly under pressure from politics and the public.

Daily routine of the public procurement agency in Bosnia-Herzegovina manned by terminally lazy socially awkward clerks with messy emotional lives.

In the period of WW2, in the town of Sarajevo, an owner of a tavern Hilmija must deal with a Nazi and run his business. The problem is that he is a coworker with Serbians, Croatians and Jews. That puts his business as well as his safety in danger.