Roman Holý

Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the hime. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.

Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

An interesting attempt at a postmodern crazy comedy with elements of parody. The plot turns on the search for the recipe of a liqueur made by the film’s financial backer.

Copying videos illegally on a mass scale is one thing, but making a marketable product out of them is quite another. Just think of the most basic problem: language – your average customer won’t be a polyglot! The answer to that problem all over Central and Eastern Europe was a practice called rychlodabing, or speed dubbing in Czech, which consisted of one sole actor voicing all characters, with the original voices usually still audible beneath. This is how millions of people in the ČSSR encountered many forms of cinema for the first time in the 1980s, and how many foreign words became lodged (in a corrupted fashion) in everyday language. Some expressions (often curse words) were born. That’s popular culture at its liveliest. Video Kings is an oral history monument to the art of rychlodabing and some of its masters, as well as a collective reminiscence from a time of political transformation, and how ordinary people were agents of that change in extraordinary ways.