Dan Nakagawa

Young directors are filming “The Exhibitionist” in the middle of a farm in a paradise-like region. The film poetically investigates the Brazilian soul, with the Amazon as the center of the world, reflecting on existential issues, the right to sexual freedom and individuality.

A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.

A study that unwraps a paradisiac scenery, reaching the subjects of Brazility and its force in the change of habits, breaking taboos and bringing out a magical and original reality throught its characters.

Marcos hosts Robert in his house – and falls in love with him. When Michael Jackson dies, Marcos goes sick and Lígia, his sister, comes to help them.

The hypochondriac lawyer Arthur, the model Maria, the religious Elizabeth, the hardworking Guinevere, and the womanizing personal trainer Lancelotti reunite after 25 years in the fictional town of Deus me Livre, in the interior of São Paulo. Determined to correct past mistakes and start their lives anew, they end up rekindling old flames. This is the main plot of Pé na Jaca, which, starting with the reunion of the five childhood friends, shows a frantic hunt for fortune, seasoned with hilarious romantic entanglements.