Ewa Skibińska

Michał, a mature man and father, is full of bitterness, regret, and longing for unfulfilled youthful dreams of true love. He reminisces about all his past lovers. With his first, Asia, he went on a seaside camping trip. He was 19 at the time, and she was two years younger. Despite his unambiguous advances, the girl resisted for a long time. Eventually, however, she gave in. For Michał, it was the proverbial pebble that caused an avalanche.

When the hot-dog vendor Kaj from the small town of Skælskør in Denmark turns 40, his friends take him on a trip to Poland, to a long party with cheap liquor and emigration eager polish ladies. It will go merrily, but it gets serious for Kaj as he meets a girl who mistakes him for a wealthy Toyota dealer she has exchanged letters with.

Maciek (35), tricked by his boss, steals his boss's car and goes on a desperate joyride across. He drives across the interior of Poland, where people are preparing for a celebration of an unspecified anniversary. In the meanwhile, Magda (35), a Town Hall employee in charge of the anniversary events, Highly committed at first, gradually notices all the dirt and corruption around her. At some point, she must choose between her career and integrity, whether she should accept it or risk her career and leave. Finally, on the celebration day, Maciek and Magda finally meet. Will it change anything for them?

Bartek lives in a village in the Podhale region, where he runs a small farm and takes care of his lonely and possessive mother. One day he meets Dawid, a slightly older man who comes to visit his family after many years of absence. Affection quickly develops between the two, followed by desire that Bartek suppressed for years.

Piotr quits his waiter job in Vienna to set up as a self-taught psychoanalyst “for women only” in his native Kraków, despite having no real qualifications. His clinic overflows with secret-sharing clients whose confessions drag him into tangled romantic entanglements.

Jerzy Stuhr wrote, directed, and starred in this drama about a man sworn to uphold the law who applies a very different moral code to himself than he does to others. As Adam Borowski, Stuhr plays a government lawyer prosecuting a variety of cases, including smuggling, theft, child abandonment, and racially motivated assault. However, Adam's own life is hardly a model by which to live. He's overextended himself financially and is trying to figure out how to avoid paying the hospital bills for his terminally ill mother. Adam is married, but he's been having an affair for some time, and, while he breaks off his relationship with his mistress, he's easily tempted into other liaisons. His wife wants to adopt a handicapped child; Adam would prefer not to have another child in the house, and he uses his influence to slow up the paperwork. And in order to reduce his tax bill, Adam has involved himself in a charitable donation scheme of dubious legality.

Good Death follows a young Polish woman and a middle-­aged Japanese woman who arrive at a tranquil resort in Taiwan that offers compassionate euthanasia.

Based on a true story. Two brothers, Artur (22) and Marcin (12), murder their own mother. The film starts with the boys' arrest and then takes us through the last 12 months in a series of flashbacks.

Tato is the story of a divorced father fighting for the right to raise his 7-year-old daughter. When his marriage falls apart, he decides to kidnap his daughter rather than let the court award custody to his mentally ill wife, whom he deems unfit to raise their child. But as he quickly finds out, it’s easier to be a real man than it is to be a real father.

Zofia, a professor of ethics, is visited by Elżbieta, an American researching the fate of Jews who survived World War II. A daytime classroom conversation turns into a night of confrontation, and Zofia is forced to answer for a decision she made decades ago that directly affected the course of Elżbieta’s life.

On the day before the wedding, the groom's parents visit the bride's parents. They all quickly discover that their spouses are not their soulmates. As a result, the couples reshuffle and new relationships are formed.

Mr. Samochodzik with his friend Joanna and her son Piotr are going on vacation to a mountain village. Peter dreams of adventures, and his imagination is focused on discovering weirdness. Here he eavesdrops on a conversation which shows that a man and a woman are planning a murder. It turns out, however, that the mysterious man is the author of crime novels Mr. Arizona, who uses the advice and ideas of his servant Sophia. The mistake is explained, Mr. Samochodzik, Joanna and Piotr gain new friends and thanks to them they meet the Italian film crew making the film in this area. Unfortunately, a real misfortune falls on the filmmakers: the main role star - beautiful Diana - mysteriously disappears. There is a break in shooting. The producer of the film seems distraught, but Mr. Arizona suspects that the actress's disappearance is an advertising gimmick. The friends start investigating on their own.

Two very similar teenagers discover that they are sisters. They were separated in the hospital and went to live with two different families.

The esteemed transplantologist is the victim of a conspiracy of his colleagues, as a result of which his brain is transplanted into a pig.

Based on the autobiographical memoir of Ola Wat, the film follows the ordeal of Ola and her husband, poet Aleksander Wat, during the Second World War. Separated after the Soviet invasion of Poland, Ola endures exile, persecution, and unimaginable hardship while desperately searching for her husband. Sustained by hope and love, she struggles to survive against the brutal realities of war and political repression.

Doctor Nowak is a lecturer of literature at the university. When his wife leaves him, a mentally damaged and financially troubled scientist receives an offer from a photographer friend to write an erotic novel, which his friend will illustrate with his own photos. In the course of his work, the literary fiction he creates blends more and more with reality. He begins to think that he himself is experiencing love adventures in the pages of his own book.

In a bourgeois home, an elderly man named Zbigniew is nearing the end of his life. To provide companionship and break the monotony of his decline, his wife brings a mysterious young man into their house. The stranger's presence acts as a catalyst during a stifling summer night. A strong emotional connection develops between the dying man and the visitor. This encounter allows Zbigniew to confront feelings he has kept quiet throughout his life. Aware of his limited time, he chooses this moment to reveal a deeply held secret about his personal identity that he had hidden for decades. This revelation impacts the couple's relationship, turning the night into a ritual of reflection, farewells, and final reconciliation with his true self.

One of the passengers on a ship carrying Poles on a cruise in December 1981 is a dissident high school teacher sent abroad by Solidarity. He is under surveillance of the secret police, anxious to get their hands on the info that he is carrying. When the ship is in the middle of the Baltic sea, martial law is declared and the ship is militarized. The captain announces he will turn and return the home port. Many anguished passengers put the life vests on and jump into the sea, where they are picked up by two German ships. The teacher, however, decides to return to Poland and continue the struggle for freedom.

Tomek comes from the so-called good family. However, she cannot find a common language with her parents. They are not very interested in what their child is doing. Tomek falls in love with nurse Ania, who becomes pregnant. He is friends with Mariusz, who is a member of his team. Mariusz lives in an orphanage. There he has problems with a certain drug addict. Tomek wants to help him, but his parents don't like it. They want Tomek to break off contacts with Ania and Mariusz. They believe that this is not company for their son.

Polonya'nın Szczecin kentinde geçen dizi, eriyen buzların altında genç bir kadının cesedinin bulunmasıyla başlıyor. 'Kimdi? Neden öldü? Arkasında kimi bıraktı?' sorusunu soruyor.

Decalogue, Krzysztof Kieślowski'nin yönettiği ve Kieślowski'nin Krzysztof Piesiewicz ile birlikte yazdığı ve Zbigniew Preisner tarafından hazırlanan bir müziği olan 1989 Polonya televizyon tiyatrosu dizisidir. On Emir'in esinlendiği on adet bir saatlik filmden oluşuyor. Her kısa film, modern Polonya'da yaşayan karakterlerin karşılaştığı bir ya da birkaç ahlaki ya da etik sorunu araştırıyor.Serisi Kieślowski'nin en beğeni toplayan eseri olan "şimdiye kadar televizyon için yapılmış en iyi dramatik eser" olarak söyleniyor ve birçok uluslararası ödül kazandı, ancak 1990'ların sonlarına dek Avrupa dışında yaygın bir şekilde yayımlanmadı. Film yapımcısı Stanley Kubrick 1991'de yayınlanan senaryosuna hayranlıkla bir önsöz yazdı.

Bir cinayet kurbanının cesedinde bulunan bir kanıt, bir savcıda 25 yıl önce ortadan kaybolan kız kardeşinin hâlâ hayatta olabileceğine dair bir umut yaratır.

A bright, young officer joins General Police Headquarters to investigate one of its lead inspectors and the criminal cases he's working on.

Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.

On the eve of World War II, Polish families are getting ready to defend the city.