Carter DeHaven

Nazi Almanya'sının tıpkısının aynısı bir başka diktatörlükte, kararları ve yönetimi ile ülkesini kırıp geçiren Diktatör Adenoid Hynkel, ülkede kendisine ikizi kadar çok benzeyen son derece saf karakterli bir Yahudi berberin yaşadığından habersizdir. Hynkel'in askerleri Yahudileri teker teker toplama kamplarına götürmek üzere toplarken Yahudi Berber'in Hynkel'e olan benzerliği nedeni ile onu Büyük Diktatör zannederler ve bu benzerlik büyük bir karışıklık yaşanmasına neden olur. Charles Chaplin'in Nazi Almanya'sını ve Hitler'i hicvettiği bu eğlenceli komedi, sinema tarihinin en başarılı hiciv örnekleri arasında yer alıyor.

An American junior diplomat in London rents a house from, and falls in love with, a woman suspected of murder.

Carter DeHaven announces that he will perform a series of "impressions." For each we see him applying makeup and changing the combing of his hair or putting on a wig. When he tilts his head down during each supposed makeover, up pops the actual celebrity (Keaton, Lloyd, Arbuckle, Valentino, Fairbanks, Coogan) he appears to have been making himself up as.

A young husband just wants to spend a quiet evening at home with his wife, but her collection of zany friends make hash of his hopes.

Bob Beemis comes to New York City hoping to get his family entrenched in the high-society circuit, but only succeeds in making friends with one person in the social whirl, Archie de Rennsaler. They party with a couple of chorus girls and Bob falls in love with one of them. His uncle arrives from the West to check out his progress, finds there has been none, and closes out his bank account. What's a poor rich-boy do do? Well, he could enter his horse in a really, really Big Race.

The story begins with a man and a woman, both married, who flag the same taxi and then decide to share it, as they have the same restaurant destination. Various naughty supper rendezvous, and much hiding under tables or behind screens, ensue.

Just before a big bout, Jimmie, a New York prize fighter, gets a lucky medal from his friend Billy. Herman Marlex, a chronic teller of tall tales informs Jimmie that the medal is really a royal one, worn by the infant Prince of Magonia when he was kidnapped years before. Then, on fight night, Jimmie is knocked senseless. On his way home, Magonian emissaries see him wearing the medal, and so haul him back to the "homeland." Despite his insisting that he is merely a boxer, Jimmie is hailed as the returning prince.

At the urging of his wealthy grandfather, Willie O'Donovan is sent to boarding school by his preoccupied parents, neither of whom shows much interest in the lad. At school, where he falls in love with Mary, a country girl, Willie hears that his grandfather has died and left him $50,000,000 to be managed by whomever Willie is living with on his eighteenth birthday. Mr. and Mrs. O'Donovan, who are in the midst of divorce, both hire private detectives to bring Willie back to them, but after a series of close calls, Willie manages to avoid the detectives and take refuge at the home of Mary's mother.

At a house party, Jack Tanner, one of the guests, accidentally falls into a fountain. To ward off a cold, he gets drunk. While in this condition, he mistakes his room and enters the bathroom next to Julia Paddington's boudoir and goes to sleep in the bathtub. The next morning Mrs. Paddington insists that he has compromised her daughter's reputation beyond repair unless he marries her.

William Jones, raised by his uncle Frank in the city, was rounder, while his twin brother, Alberforce, raised in the country by his grandmother and two aunts, was the opposite. The grandmother had chosen Mattie, a neighbor's little daughter, to be Alberforce's wife, so that she could always keep an eye on him.

Young industrial tycoon Philip Borden is smitten by musical-comedy star Miss Frou Frou, who in daily life is Fern Hardy, the foster daughter of a repentant thief who is pressured into robbing Borden's company. When Hardy, Fern's father, tries to make Bates, the leader of his criminal gang, return the stolen money, Bates beats and incarcerates Hardy.

Angered by his son Jack's wild behavior, Mr. Bennett sends him to college on a limited allowance. Jack is engaged to Irma Brentwood, the daughter of his father's partner, however, Irma prefers upper classman Bruce Howard. At Jack's boardinghouse, Jack is kind to orphan Daisy Woods, the much-abused maid, who falls in love with him. After a football victory, Jack's fraternity goes to a burlesque theater, but finds that Howard's fraternity is already there. Following a rough house, Jack's fraternity kidnaps the showgirls for a party.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Two married couples, where one of the two couples more happily married than the other, each get a dog that looks suspiciously similar.

James Smith, millionaire Bible publisher, is concerned with spending the fortune he has acquired, while his wife, remembering their thrifty days, strives to make every penny count, despite the extravagant example set by Lucille, the wife of lawyer Edward Early. Smith receives a letter from two lady friends, both planning to visit him at his Atlantic City bungalow, and seeks the aid of Early, a neighbor. Both wives become suspicious and have a detective investigate the situation.

A comedy short by and for Carter DeHaven.

Samantha Stephens is a seemingly normal suburban housewife who also happens to be a genuine witch, with all the requisite magical powers. Her husband Darrin insists that Samantha keep her witchcraft under wraps, but situations invariably require her to indulge her powers while keeping her bothersome mother Endora at bay.

Revolves around typical family problems, such as firing a clumsy housekeeper, throwing a retirement bash for a colleague, and finding quality time away from the children.

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Lock-Up is an American legal drama series that premiered in syndication in September 1959 and concluded in June 1961. The half-hour episodes had little time for character development or subplots and presented a compact story without embellishment.

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