Francis Lederer

1928 yapımı bu filmde Georg Wilhelm Pabst’ın natüralizminin derinliklerine dalıyoruz. Neşe içinde gezerken etrafındaki herkese trajedi saçan Femme Fatale’imizle tanışın: Lulu. başrollerde Bob Cut’ı hayatımıza sokan karizmatik oyuncu Louise Brooks ve zamanının Dracula’larından Francis Lederer.

After a vampire leaves his native Balkans, he murders a Czech artist, assumes his identity, and moves in with the dead man's American cousins.

FBI agent Ed Renard investigates the pre-War espionage activities of the German-American Bund.

American Documentary, narrated by Christopher Lee

A retrospective of Dracula's appearances in film. It includes trailers and scenes from many Dracula-related films. There is an emphasis on films which feature the actors Bela Lugosi and Christopher Lee, as they portrayed the most popular versions of Dracula. Also covered are films depicting sons and daughters of Dracula, and Dracula-like vampires. Many of the trailers focus on the beauty of Dracula's victims, or the beauty of female vampires.

This documentary focuses on 1939, considered to be Hollywood's greatest year, with film clips and insight into what made the year so special.

An unemployed American showgirl poses as Hungarian royalty to infiltrate Parisian high society.

A neglected Baroness falls in love with her oldest son's military officer friend, their adulterous romance leading the two to flee to Algeria.

A history of the famous vampire of books and movies, using film clips, previews and other methods.

Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?

A wide-eyed working girl wins a $5,000 sweepstakes and plunges into the lush life of New York City, where she meets a bellboy who is more than he seems.

A rope bridge over a gorge in the Peruvian Andes snaps, sending five people plunging to their deaths. A priest sets out to find out more about the life of each of the victims.

Near the end of World War II, a secret American raid on an enemy transportation hub goes very wrong when a turncoat warns the enemy. Led by Capt. Webster Carey, the mission causes the deaths of many bystanders -- among them, Carey believes, his Italian girlfriend, Giulia de Graffi. Back home, Carey stumbles across evidence that might uncover the identity of the informant. But, when he returns to Italy to get even, Carey is stunned by what he finds.

Lederer is a Hessian soldier who defects to the Americans during the Revolutionary War.He falls in love with a Yankee girl, but a thuggish local militiaman jealously makes things hard for him while he's a prisoner of war.

An American vacations in Europe with her husband and watches him turn into a Nazi.

A young woman leaves behind her job, home and family to try to make it in the movie business. Features cameos from about three dozen German film stars of the era.

While on leave in Paris, a G.I. pursues an ambassador's daughter. Meanwhile she's out to prove to her father that soldiers can be gentlemen, too.

For Capt. Robert John Evans, smuggling black-market goods is nothing out of the ordinary. But one day he's hired by Aristides Mavros for a more involved assignment -- sneaking an imprisoned American out of communist-controlled territory. The job seems challenging enough, but when he meets the prisoner's sultry wife, Sylvia, he realizes his mission comes with a startling catch: Not only must he rescue this man, he must bring him back from the dead.

Ice-cold college dean Susan Middlecott feels there's no room in her life for romance. Enter Prof. Alec Stevenson, British lecturer on astronomy, touring North America and in possession of a keepsake of Susan's he wants to return. Desperate for publicity, lecture bureau press agent Teddy Evans magnifies this into a great romance. The efforts of both dignified principals to quash the story have the opposite effect; matters get more and more involved.

Basically this is a commercial for Hollywood's Lido Lounge and for MGM contract players. The Lido is a large watering hole; we visit one afternoon with an orchestra playing, all sorts of stars and would-be stars sitting at tables near the pool alongside paying customers, and bathing beauties parading and diving. The Lido's manager, Reggy Denny, introduces the stars in the audience. He's sometimes interrupted by someone who does a bit, sings a song, or otherwise entertains: most of these are novelty acts. By the end, everyone's having a swell time.

A mad scientist transforms a panther into a man-like creature that escapes and goes on a murderous rampage.

A British explorer brings an Eskimo hunter to London, where he misreads a woman.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

Former concert pianist, victim of Nazi torture, pursues a confused, melancholic existence on the island of Guadalupe.

Mission: Impossible is an American television series that was created and initially produced by Bruce Geller. It chronicles the missions of a team of secret government agents known as the Impossible Missions Force. In the first season, the team is led by Dan Briggs, played by Steven Hill; Jim Phelps, played by Peter Graves, takes charge for the remaining seasons. A hallmark of the series shows Briggs or Phelps receiving his instructions on a recording that then self-destructs, followed by the theme music composed by Lalo Schifrin. The series aired on the CBS network from September 1966 to March 1973, then returned to television for two seasons on ABC, from 1988 to 1990, retaining only Graves in the cast. It later inspired a popular series of theatrical motion pictures starring Tom Cruise, beginning in 1996.

Robert Montgomery Presents is an American dramatic television series which was produced by NBC from January 30, 1950 until June 24, 1957. The live show had several sponsors during its seven-year run, and the title was altered to feature the sponsor, usually Lucky Strike cigarettes, for example, Robert Montgomery Presents Your Lucky Strike Theater, ....The Johnson's Wax Program, and so on.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

The Philco Television Playhouse is an American anthology series that was broadcast live on NBC from 1948 to 1955. Produced by Fred Coe, the series was sponsored by Philco. It was one of the most respected dramatic shows of the Golden Age of Television, winning a 1954 Peabody Award and receiving eight Emmy nominations between 1951 and 1956.

Rod Serling, çeşitli tablolarda resmedilen korku hikayelerini sunuyor.

That Girl is an American sitcom that ran on ABC from 1966 to 1971. It stars Marlo Thomas as the title character Ann Marie, an aspiring actress, who moves from her hometown of Brewster, New York to try to make it big in New York City. Ann has to take a number of offbeat "temp" jobs to support herself in between her various auditions and bit parts. Ted Bessell played her boyfriend Donald Hollinger, a writer for Newsview Magazine; Lew Parker and Rosemary DeCamp played Lew Marie and Helen Marie, her concerned parents. Bernie Kopell, Ruth Buzzi and Reva Rose played Ann and Donald's friends. That Girl was developed by writers Bill Persky and Sam Denoff, who had served as head writers on The Dick Van Dyke Show earlier in the 1960s.

Lux Video Theatre is an American anthology series that was produced from 1950 until 1959. The series presented both comedy and drama in original teleplays, as well as abridged adaptations of films and plays.

Behind Closed Doors is an American drama series set during the Cold War hosted by and occasionally starring Bruce Gordon in the role of Commander Matson. The series, which aired on NBC from October 2, 1958, to April 9, 1959, focuses, among other themes, on how the former Soviet Union stole American missile secrets and proposes steps to prevent further espionage. Behind Closed Doors is based on the files and experiences of Rear Admiral Ellis M. Zacharias, who offers comments at the end of each segment. Behind Closed Doors, a Screen Gems production, replaced Jackie Cooper's sitcom The People's Choice, followed the NBC quiz show, Twenty-One, and preceded the The Tennessee Ernie Ford Show. Its competition was The Pat Boone Chevy Show on ABC and Dick Powell's Zane Grey Theater western anthology series on CBS.

A U.S. double agent in WWII Germany infiltrates Nazi councils while evading Allied intelligence (publicly, he was a foreign correspondent who had renounced his American citizenship). Three episodes of the series were stitched together into the 1966 theatrical movie 'I Deal in Danger.'

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.

Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.