Subhrajit Dutta

Kolkata police detective Shabor Dasgupta sets out to solve the murder case of Mitali Ghosh, a woman with a messy past. Her ex-husband Mithu Mitra, ex-boyfriend Pantu and friend Samiran are the prime suspects and so is her cousin Joyeeta. His investigation reveals a complex web of relationships gone sour that gives almost everyone a good motive.

A string of sudden police officer murders in three areas prompts the deployment of Crime Branch Officer Randeep Sen to secure an upcoming police event. As Randeep investigates the killings, he uncovers a disturbing, strange incident tied to the motive. Randeep, an officer who honours his oath, must use his wits and strength to protect the force and bring the killer to justice.

Shanti, known as Promoter Boudi, plans to build an old-age home and orphanage on a prime plot, but a ruthless developer wants it for a shopping mall. As past secrets resurface, a battle begins between compassion and greed.

The movie consists of two Feluda stories by Satyajit Ray, Samaddar-er-Chabi and Golokdham Rahashya, shown on either half of the film. It was a tribute to the 50-year anniversary of Feluda and a sequel to Royal Bengal Rahashya (2011).

On March 12 rainy night, Sumit Ghoshal, a taxi driver arrives at a police station with a passenger who has suddenly taken ill. The O.C. inspects the passenger to find him dead. ACP-DD Shabor Dasgupta and Inspector Nanda must solve the case.

When the employees of an ad agency start getting killed off one by one, Detective Prabhat is tasked with finding the person responsible for the murders.

Two young men learn the importance of being lovers, and the importance of not being closely related to their respective beloveds.

In the neon-lit streets of Kolkata, a woman searching for redemption crosses paths with a mysterious bar singer whose past remains hidden. Over the course of a restless day, their lives intertwine with strangers carrying their own conflicts and secrets, until a buried truth changes everything.

A biopic of Ananta Singha. Some calls him dacoit, some calls him a rebellion. This adaptation gives the viewer a chance to know him as a whole, a person and as a revolutionary communist leader.

Being a policeman's doppelganger is a mixed blessing in this action-packed caper.

Nandini's murder at entrepreneur Bishan Roy's place lands police detective Shabor in a world of psychological game-play.

The story revolves around a a boy with special abilities who is discovered by a magician who intends to take him to Chennai for a show but the boy disappears.

Prajñāpāramitā AKA Mitin who runs a Kolkata Police detective agency is summoned by Jariwala, an eminent Parsi businessman, to look into his son's kidnapping. Prajñāpāramitā must solve the case in time.

Chaar is a Bengali anthology film based on four short stories by different writers: "Bateswarer Abodan" by Parasuram, "Porikkha" by Sharadindu Bandyopadhyay, "Kagtarua" by Satyajit Ray and "Dui Bondhu" by Satyajit Ray.

A science teacher in a Christian missionary school is suspended and imprisoned as he refuses to teach the Bible’s Genesis before Darwinian Evolution. As two stalwarts, Reverend Basanta Kumar Chatterjee and Anton De Souza, face each other in court for the trial, a Hindu fundamentalist politician uses the issue for his gain

This movie is a mystery about continuous murders at Kolkata and Chandan Nagar.

Judhishthir Dutta grows up to understand the plight of women in the kitchen and brings powdered spices and introduces that to Bengali society. From a small shop in Dorma Hata Street, the business of powder spices grows up to be an industry.

Sandip Ray's next where 4 ghost stories are spun together in a comical twist surrounding unusual events.The film is a collection of four short films based on four Bengali short stories- Sharadindu Bandyopadhyay's - Bhut Bhabishyat, Satyajit Ray's- Brown Saheber Bari, Anath Babur Bhoy and Lucknow-er Duel.

Jongole Mitin Mashi is based on a story of anti-poaching of elephants and depicts the fight of Mitin against the enemies of the forest. Sequel to the 2019 detective thriller Mitin Mashi.

Two disappearances unsettle Kolkata’s Prafullanagar: Totoro, the young son of Sub-Inspector Sanjay Konar, and Sara Nilson, a Swedish researcher studying shamans. Their fates intertwine around one enigmatic man, Trilokdarshi Baba. Once known as Tilu, a boy haunted by violence and visions of death, Trilok grows into a mystic who seems to perceive the boundaries between the living and the beyond. As Sanjay’s search unfolds, the line between truth and faith begins to dissolve.

Ritika and Rajeev visit her ancestral house in Konnagar to attend her mother's 80th birthday celebration, only to discover her mother's deteriorating mental state, forcing Ritika to confront this difficult reality and its permanence.

Palash is proud of his traditional North Kolkata roots. When pressured for marriage, he falls for Shalini, a Bangal girl with very different values than him. Will she ever fit in with his family?

Dushtu, a sweet girl, is about to get married. However, she is upset because everyone constantly keeps misunderstanding her. So, she wonders if her life partner would value her just the way she is.

Four friends goes out on a long drive and experiences eerie incidents on the road. Dangerously haunting, strange and unfortunate events start unfolding and one of the friends (Raka) goes missing. After Raka returns her life turns upside down as she starts getting tormented by her. Is she Petni? To get the answers get ready to be at the very nexus of mystery.

A 21 year old intelligent, hard-working Arohi is a daughter, sister and now a mother! Her need for a well-paying job and a little girl's longing for mother's love creates a beautiful yet unique bond.

While trying to get out of a failing marriage, Raja gets into a steamy affair with Rupsha, a woman with a criminal past. However, he becomes the prime suspect when Rupsha is found dead. What happens next?

SP Rana is found dead and Kuheli calls it suicide. DSP Agni calls it murder. The three sisters call it complicated.