Rogéria

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

In a fictitious country, a civil servant receives the greatest inheritance in history (ten trillion dollars) and is confined by authorities to prevent a collapse of the world economy. But he manages to escape.

A corrupt senator, Maria Pilar sees a great opportunity to win in the bidding process for the Brasil Brasileiro project. After contacting Minister Ivone Feitosa in search of more information, Maria is told to talk to the ministry's executive secretary, Madalena, to set up a frame-up. Little does she know, however, that Madalena has her own plan to get along on her own...

A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.

Gafanhoto is a smuggler who tries to take a hit by stealing a valuable stone. He awakens the fury of the old boss of the gang, and ends up involving in the plot a former colleague, Poeta and his girlfriend Cris, a beautiful woman who brings in the eyes the mark of the tragedy.

Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.

Several characters realize their personal way to build their own identity from the choice of genre. Transsexual, transgender, crossdressing – the defining of terminologies different ways of looking at yourself are constantly rising, portraying a universe of possibilities, expanding the boundaries of the possible and permitted.

A documentary that follows Rogéria's life and artistic trajectory from the duality between artist and character, between Rogéria and Astolfo.

Gugu is a homosexual dressmaker who works with his mother in her studio. She does everything to get him married and after much insistence, he agrees to marry Sônia, with whom he has a son. One day, couldn't take that dubious situation any longer, he left his wife and moved to Rio de Janeiro, where he set up his own studio, finally living the life he always wanted. After a few years, he receives the news that his wife has passed away and he returns to his homeland, meeting his son Régis, also a homosexual dressmaker. They both move in together but, ashamed of their sexual preference, they hide it from each other. This leads to many humorous situations, as the two are constantly harassed by women from whom they always try to get away.

Fábio, a mediocre and broke writer, is evicted for unpaid rent and even ends up in jail after a police raid on a brothel. His life changes when he unexpectedly inherits the fortune of his wealthy uncle Casemiro — only for the old man to recover soon after. Suddenly wealthy, Fábio dives into high-society parties while trying to finish a “dictionary of sex” and turn his new lifestyle into personal and sexual success. He reconnects with his former lover Gina, who introduces him to Candy, a glamorous nightclub performer who becomes central to his fantasies and ambitions. As scandals unfold and secrets come to light — including Candy’s identity as a travesti — Fábio becomes trapped between desire, money, social appearances and his own insecurities, forcing him to confront what he really wants from life.

The daily lives of a typical Brazilian middle-class family, that are always very close and tries, in their way, to survive the financial and relationship difficulties.

The search for a successor provokes the beginning of a clash between two young and talented executives of his group: Daniel Bastos, a lad of simple origins and excellent character, who is not only handsome and charming, but also intelligent and skilled, and Olavo Novaes, an ambitious and unscrupulous man who is ready to fight for the position, at any cost. To fight against Olavo‘s treacherous plans, Daniel will have the help of the sweet and sensitive Paula, a young lady raised as an only child who founds, on the eve of her mother‘s death, that she is adopted and has a family. What Paula does not know is that she has an identical twin sister, the wicked Taís, who is as ambitious and unscrupulous as the man who becomes her main ally, Olavo Novaes. Antenor, for his part, decides on having an heir when he meets the headstrong and honest Lúcia, a woman who will make this cold businessman find true love is and a real reason to live.

Fashion designer Andréa Vargas finds out the hard way she is adopted. The relationship with her sister Júlia had always been difficult, since childhood, and the antagonism grew when Júlia came between Andréa and her first true love, Diogo. But the worst is still to come: her first assistant in her atelier, Selma, is having an affair with her husband Bruno.

Inspired on Jorge Amado's romance "Tieta do Agreste", the plot is set on the fictional city of Santana do Agreste, at Brazil's northwest, and has as main theme Tieta's life turnarounds. Twenty-five years after being chased out of town by her father Zé Esteves, she returns to her home town seeking revenge against everyone who mistreated her and laugh at her face in the past.

In the past, as Adalberto Rangel, he met and seduced Maria Paula. With a calculated coldheart, he married her, stole her fortune, then abandoned her, unaware she was pregnant at the time. Ten years later, accompanied by her son Renato, Maria Paula plots to recover her dignity and to find justice by getting revenge against the indignities done to her.

Winner of the International Emmy Award for Best Telenovela, "Side by Side" focuses on two women of different origins and social classes. The brave Isabel, daughter of a former slave and in love with the capoeira player Zé Maria; and Laura, descendant from a wealthy family and destined to an undesired marriage to Edgar. In addition to an unshakable friendship, the two share the same purpose in life: the conquest of freedom in the conservative society of Rio de Janeiro of the early 20th century.

In Ambitious Women, all levels of ambition are revealed in a plot full of greed, revenge and struggle for power, through the conflicts of three strong women with very different personalities.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

It follows the lives of the members of a dysfunctional family, their maid and the doorman of the apartment building in which they lived.

Brazilian comedy about two couples living next to each other in the same building. This show explores the antics between the two couples.