
Patricia Urrutia
Oyuncu
Diziler3
Dizi8.1KomediLa que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.
La que se avecina
2007 · 298 votes
Dizi4.3DramSavaş ve PolitikaMario, a member of the terrorist group ETA during Franco's dictatorship, drastically changes the course of his life when, with democracy in place, the organization decides to continue killing.
- Dizi
Filmler2
Film5.6Komedi1999 yılında yirmili yaşlarında olan Pepo, Roge, Costa ve Juan Luis isimli dört genç adam hayallerindeki o seyahate çıkarlar: Interrail. Ancak ilk durakları olan Paris'e geldiklerinde, bu macera ve dostlukları aniden biter. 20 yıl sonra Juan Luis vefat eder, vasiyetinde iştah kabartan mirasını üç eski arkadaşına vermeye karar vermiştir. Ama bunun karşılığında onlardan keyifle yapamadıkları Interrail'i yapmalarını ister... Üstelik ölen arkadaşları da bu deneyimi yaşasın diye onun küllerini yanlarına almak zorundadırlar. Juan Luis'in hatrına, 40 yaşındaki bu üç ergenin aralarındaki farklılıkları çözmeleri, aynı şehirlere tekrar gitmeleri ve aynı eğlenceleri deneyimlemeleri gerekecek, ancak çok daha acınası bir şekilde. Hem de tavan yapacak kolesterolleriyle...
Film6.1DramKomediA trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.