Antonio Carmona

El Hormiguero is a Spanish television program with a live audience focusing on comedy, science, and politics running since September 2006. It is hosted and produced by screenwriter Pablo Motos. The show aired on Spain's Cuatro channel from launch until June 2011 and is now broadcast on Antena 3. Recurring guests on the show include Luis Piedrahita, Raquel Martos, Marron & "The Man in Black", and puppet ants Trancas and Barrancas. It has proved a ratings success, and has expanded from a weekly 120-minute show to a daily 40-minute show in its third season, which began on September 17, 2007. The show won the Entertainment prize at the 2009 Rose d'Or ceremony.

Intimate musical performances, recorded live at the desk of All Songs Considered host Bob Boilen.

In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.

Pedro goes out searching for a girl, but the night doesn't seem to be good. While he is talking with a friend, he sees Sara breaking up with a boy. He goes after her, and they end up sleeping in his house. Time goes by and they continue together. But Sara has too many men around and Pablo can't stand that. Their relation is difficult, they love each other but, at the same time, they can not be together.

İspanya’nın efsane olmuş dansçısı Joaquin Cortes ile Fransızların nefes kesen güzeli Laetitia Casta’yı bir araya getiren bir yapıt.Andres (Cortes) hapishanede Romero’nun öldürülmesi ile zor durumda kalır. Karısı Lucia (Casta) başka bir adamla ilişki içindedir. Don Manuel yerel bir suç örgütünün lideridir. Andres aslında bir Flemenko dansçısıdır. Mesleğine Tekrar geri dönmek insanları dans ve şarkılarla çoşturmak ister.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

This documentary is a effort to recover the memory of The Sacromonte, a suburb of Granada city. Chus Gutiérrez researches the relation between the suburb and the flamenco.