Yatsuko Tan'ami

30 yılını bir masanın başında mühür basarak ve hiçbir iş yapmayarak geçirmiş olan Bay Watanabe 1 yıldan az ömrü kaldığını öğrenince, o güne dek hiç yaşamamış olduğunu hisseder. Ancak yaşama duygusunu kolay kaybetmeye niyetli değildir.

With her family suffering from extreme poverty, Yuko, as the eldest daughter, is sold to a successful brothel in Kyoto. There she is assigned to serve Takamatsu, one of the brothel’s top customers. But while Takamatsu falls madly in love with Yuko, she finds herself attracted to a young priest named Kunugida. Torn by jealousy, Takamatsu hatches an evil plan to tear them apart.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

Hama-chan gets Su-san hooked on fishing, but Su-san has some problems to deal with; a beautiful woman saves Su-san when he collapses while fishing.

Erotic Pinku film showcasing he life of Buddhist nuns during the Edo Period.

Demon Pond (1979) – Mit ve Gerçek Arasında Büyüleyici Bir Alegori Terayama Shūji’nin yönettiği Demon Pond (Yashagaike, 1979), Japon halk hikâyelerinden beslenen, görsel ve anlatısal açıdan etkileyici bir sinema deneyimi sunar. Film, izleyiciyi mitoloji, doğa ve insan kaderi arasındaki ince çizgide bir yolculuğa çıkarırken, geleneksel Noh ve Kabuki tiyatrosunun estetiğini modern sinema diliyle buluşturur. Hikâye, uzak bir dağ köyünde, Demon Pond adlı gizemli bir gölde yaşayan bir varlığa bağlı olarak gelişir. Ana karakter, bu doğaüstü dünyanın içine çekildikçe, gerçeğin algılanışı ve kaderin kaçınılmazlığı üzerine derin bir sorgulama başlar. Terayama’nın teatral anlatımı ve rüya ile gerçek arasında gidip gelen atmosferi, filmi sadece bir halk masalından ibaret olmaktan çıkarır ve felsefi bir boyuta taşır. Destansı görselliği ve şiirsel anlatımıyla Demon Pond, insanın doğayla olan ilişkisini sorgulayan, hipnotik bir sinema deneyimi sunar.

Ten years into a marriage, the wife is disappointed by the husband's lack of financial success, meaning she has to work and can't treat herself and the husband finds the wife slovenly and mean-spirited: she neither cooks not cleans particularly well and is generally disagreeable. In turn, he alternately ignores her and treats her as a servant. Neither is particularly happy, not helped by their unsatisfactory lodgers. The husband is easily seduced by an ex-colleague, a widow with a small child who needs some security, and considers leaving his wife.

A woman marries, gives birth to a stillborn child, and divorces, falls in love with a hotel-keeper, only to find herself subordinated to his drive for success, takes up with a tailor who cannot console himself with her strong personality.

İşadamı Ogata Shingo, sekreteri olan oğlu Shuichi ile birlikte çalışıyor ve sırasıyla Yasuko ve Kikuko eşleriyle birlikte banliyöde yaşıyorlar. Shuichi, Kikuko ile aşk ilişkisi ve sevgisiz bir evliliğe sahiptir. Yasuko tüm hayatını ailesine adadı ama Shingo, yalnızca ablası öldüğünden evlendi. Kikuko, Shingo'nun gurur ve sevinci ve birbirlerine yakınlar. Mavi olan Shingo ve Yasuko'nun kızı Fusako kocasını terk edip iki çocuğuyla Shingo'nun evine varır. Shingo, Shuichi'nin sevgilisini araştırır ve bulur. Bu arada Kikuko hastaneye gider ve Shingo hamile olduğunu öğrenir, ancak çocuğunu durdurmaya karar verir * Zaman zaman bir Ozu filmi havası yaratan, kadın duyarlığını çok iyi anlatan bir filmdi. Ama Yama no oto'nun en iyi tarafı ise; toplumda ki kadın algısının ve eleştirisiydi.

A Japanese woman writes down three stories she has witnessed or heard of in her diary, each about the difficult situation a young woman finds herself in.

The disturbing story of a physician who conducted the first operation with general anaesthetic, and the women in his life who are both so determined to win his love that they volunteer as subjects for his experiments

This is a film about a real person. Sanada Yukimura fought a war against Tokugawa Ieyasu.

High-end cabaret hostess Masuko discovers her long-term lover is actually married. Determined to secure her future, she aggressively manipulates him into divorcing his wife, only for their new marriage to be destabilized by the arrival of her young niece.

Married for almost a decade, a couple with a son have their life thrown for a loop when the wife Isoko comes across a photo of her university professor husband Asakichi with a younger woman named Terue, alongside a gift and a letter. When the husband is confronted he admits to merely loving his wife non-romantically, prompting her to take her son and leave the house. While she returns to her previous job and is staying at the company's dormitory, her husband is being visited by the other woman, who wants to tend to him, and his students.

This period film is inspired by one of the most notorious scandals to have taken place in Edo-period Japan. The heroine, Ejima, was a lady of the Ooku, the harem of Edo Castle in which the Shogun’s mother, wife and concubines resided, forbidden from contact with any other man except in the presence of the Shogun. The institution played a key role in the Byzantine world of Japanese court politics during the Edo era. In 1714, Lady Ejima was sent to pay her respects at a Buddhist temple in the city, and chose to pay an unauthorised visit to the kabuki theatre – a violation of protocol that was to have tragic consequences.

When a wealthy, selfish family decides to take care of an elderly hobo who collapsed near their home, they are beset by visits from his numerous friends.

Hama-chan and his wife are ecstatic about their long-awaited pregnancy. Meanwhile, Su-san's nephew joins Hama-chan's department at the company.

Ebihara is a budding novelist entangled in a complicated web of relationships with three women from three different generations: Kazue, a coquettish teenage war orphan who tries to offer herself for money but is instead taken in by Ebihara, Koyabu, a middle-aged woman who has spent much of her life as the kept woman of a wealthy man, and Teruko, the modest daughter of Ebihara's former teacher who comes to rely on him after the death of her father.

Isazo is a traveling gambler and living legend in the world of yakuza, known for his swordsmanship and bravery, his impeccable manners, and his brilliant talent in gambling. One late fall at an inn in Kiso Fukushima, Isazo befriends a young boy whose mother turns out to be his old love Yoshino, with whom he was not unable to consummate a marriage due to the class differences between them.

The 9th NHK Asadora. Starring Naoko Otani as a young woman living with her grandmother.

A woman works hard to become a good doctor even though she is separated from her husband.

A heartwarming and hilarious story about a photographer, Genta Ikenaka, who goes to live with the three daughters left by his wife, Tsuruko, who died shortly after their marriage.

A romantic comedy set in a high school in Kamakura. Ekiden Club member Yutaro Takagi and Beth Green, an exchange student from the US enrolled in the same class, are married internationally due to certain circumstances, which puts them in a difficult position, and the drama depicts their lives and the various events that occur at the school.

During the Tenpo period, the three samurai under the command of the Nanba magistrate were responsible for handling exceptional cases. However, their true identities as shadow assassins were hidden because they were secretly sent to eliminate villains who had escaped punishment by the law.

Set in the Sengoku Period, a time of turmoil and upheaval, this action period drama follows the solitary life of Sae, the "Hagure Kiba," who takes on dangerous jobs for hire.