Jiří Kodeš

Marek is a 15-year-old from a provincial village who runs away to Prague when he begins to fail at school. He is mugged shortly after arriving in the city and is rescued by Honza with the promise of work. Marek is taken to an apartment, drugged, and becomes a male prostitute. He is a bit smarter than his colleagues and teams up with a friend, David, in order to go after bigger scores – to cash in and get out. They manage to stash away a bit of money, but when it comes time to return home, Marek loses his nerve and is soon back in the city.

Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.

The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.

A thriller loosely based on one of the most violent Czech criminal cases of the nineties, popularly known as the Orlík murders. The film delves into the motivation behind the killings, exposing their exceptional cruelty and an absolute absence of moral values. The perpetrators executed four people on their way to achieving material gain. Two of the bodies were found at the bottom of Orlík reservoir, the third perished in a bomb blast, and the forth was shot at home...

A budding teacher comes from Prague to the South Bohemian district town where her fiancé Jakub, a young promising engineer at the local paper mill, lives. Petra is getting to know her new colleagues at school and the children in her new class, and is practicing hard with the Komenium music group, whose members she has known since her studies. She also gets to know Jakub's colleagues and the director of the paper mill, to whose position Jakub would like to be appointed after his retirement. It is this desire for a high position that leads Jakub to behave and act in a way that Petra cannot approve of.

The lacking attitude of a conscripted university graduate places him at odds with the power and doctrine of his military superiors. His secret relationship with the wife of a superior officer along with the low discipline of his fellow conscripts only heightens the disrespect towards the new post world war two communist regime. The first privately produced movie in Czech Republic.

After World War II, fighter pilot Antonín Maděra returns from England to his native village in the Ore Mountains to forget the hardships and horrors of war and to "live, work, and love his neighbors," as he himself says. But Svatý Štěpán, which his family had to leave in 1939, is no longer the same place it used to be. However, even in his wildest dreams, he could not have imagined what really awaited him there.

A short film about Prague, Prague residents, and the beginning of the weekend.

Josef Laufer portrays Egon Erwin Kisch in two daring journalistic adventures: in “Zuřivý reportér,” Kisch goes undercover in a poverty lodging house, uncovers a tattoo’s dark backstory and deciphers a secret telegram hinting at war via the legend of the black rose; in “Lovci senzací,” he pursues sensational leads and exposes hidden truths, proving why he was rightly called “the raging reporter.”

A story about an everyday life of an inflectional department of Prague hospital.

A television film about the life and times of Slovak emigrant Štefan Banič, who was granted a patent in the United States for the invention of the parachute.

The film about curious children who discover a sunken statue of Masaryk in a disused well was interfered with by the events of November and the filmmakers tried to incorporate their echoes into the flow of the narrative. However, the result is at times confusing, as the originally childish adventure has thus grown into a naive social poster child.

Viktor Preiss in the role of Father Toufar in a fictional reconstruction of the background to the so-called Čihošť miracle.

A story about a life of a group of children in the foster home.

Children join folklore groups at an early age, but their relationship to them is formed only gradually, there are more than enough external stimuli that affect them. However, the prospect of performing abroad changes their relationship to folk songs and dances and disrupts their previously strong friendships. Although the film deals with child protagonists and is also aimed at a child audience, it can undoubtedly appeal to adults as well, as it tackles issues affecting parents.

The happiness that has passed away will never return - this is exactly what a young Polish man learns when, in the immediate post-war period, he recalls how he fell in love with a charming Jewish girl before the outbreak of the war. He manages to find her, only she is already married and has a child.

In the late 1980s, several films were made that wanted to come to terms with the crimes of Stalinism, but they did so with a very alibi - they basically communicate that it is enough to remove the erroneous deviation of the communist regime for this social system to become fully humane again. This also applies to the immediate post-war fates of former front-line fighters - one fought in the Soviet Red Army, another in the English Air Force, another was a soldier in the Slovak Army. The difficult character check will only be completed by the 20th Congress of Soviet Communists, which condemned recent blunders. The film was made based on a proposal by former Foreign Minister Bohuslav Chňoupek.

Two men of principle face each other. One is backed by a whole, however poor village, the other by the law. It is a conflict that reaches it's climax in the closing shoot-out. Instead of the Wild West, the gunshots go off on the Slovak-Polish border. Michal Docolomansky as the horse smuggler and Radoslav Brzobohaty as the customs officer from Prague meet in Holly's Night Riders in a western-like confrontation set in the insecure years of the newly founded Czechoslovak Republic.

In the final days of the Second World War in 1945 Frantisek Pribyl is killed during a shoot-out with the Germans. After the funeral, the widow (Jana Svandová) and her two young sons Martin and Ondra move to her deceased husband's native village at the foot of the Kralický Snezník mountains. Life in the borderlands is far from easy for the lonely woman. The village is almost deserted, food supplies are delayed; the Werwolf (Nazi guerrilla squads) are hiding in the mountains, and shooting is heard from time to time. The elder son Ondra (Michal Dlouhý) is helping out his mother and at the same time absorbing intense new experiences. He meets an old Czech resident Skurek (Lubomír Kostelka), German women working in the forest, soldiers from the engineering units removing the mines, and a young first lieutenant. At night he dreams about his dead father whom he loved very much. This is why he runs away from home when he finds out that the lieutenant is courting his mother.