Yūkichi Kobayashi

İkinci Dünya Savaşı arefesinde Mançurya ve Kore Japonya'nın işgali altında iken, işgal kuvvetlerinden bir albayın torunu olan Tatsuo Hasegawa ailesiyle birlikte Kore'ye büyükbabasını yanına gelir. Albayın evinde hizmetkarlık yapan Kim ailesinin oğlu da Jun-shik Kim'dir. İki çocuk da iyi birer koşucudurlar. Bir tören sırasında albay olan büyükbabaya hediye diye gönderilen paketi Jun-shik Kim'in babası teslim eder. Paketteki bomba kimseye zarar vermesin diye üzerine kapatarak yere yatan albay, torunu Tatsuo Hasegawa'nın gözleri önünde can verir. Tatsuo, Kim'in babasının bundan sorumlu olduğunu söyleyerek onu ve ailesini suçlar.

Mitsuki (Tenka Hashimoto) ve Yuya (Yukichi Kobayashi), ebeveynlerinin evlilikleri nedeniyle vesayet ve üvey kardeşlik yapar. Mitsuki yeni ailesiyle birlikte olamıyor ve Yuya yeni vesayetine nasıl yaklaşması gerektiğini bilmiyor. Bir gün, Mitsuki, Hiyori (Mayu) ruhuna sahip olur. Hiyori Yuya'yı seviyor ve Yuya'nın cennete gitmesine yardımcı olabileceğine inanıyor. Hiyori, Mitsuki üzerinde deri bir iffet bandı yerleştirir ve Hiyori'yi cennete göndermek için bir plan yapılır.

Kazu attacks a bar in Kabukicho, a Tokyo red-light district, and flees to his hometown with abducts Machiko, a pole dancer he's been stuck on. They begin living together, but their happiness is short lived as their pasts torment them both.

Sachiko Suzuki is a female high school student. She claims that she is an alien and her mission on Earth is to conceive a child with a human man. Sachicko seduces her class teacher Mr. Fukuda. After their intimate encounter, Mr. Fukuda becomes becomes convinced that Sachiko is not a human. Meanwhile, female student Kobato Hagimoto knows that Mr. Murata has a crush on some male students. Because of this, Mr. Murata is treated as a pig by Kobata until he can't bear the situation anymore.

"Tsubaki Sanjuro" is a remake of Sanjuro (1962) by Akira Kurosawa. Sanjuro returns with sharper, faster, subtler sword, talking and perception. He uses them to settle the trouble and uses them good!

Teru has been brought up in a hill town and spent his childhood conquering the slopes on his bicycle. Being a cycling fanatic, who resents defeat, he joins Kamegaoka High School, which used to boast a powerful cycling club. There he meets Hatomura, an ace of the club who wants to turn around he club which has deteriorated to the point of dissolution, and Yuta, an aloof cycling genius with unshaken confidence in his speed who does not allow others to follow him. Meeting a rival that is faster than him for the first time, Teru joins the club in order to challenge them. His only interest, however, is his own cycling speed. Joining the club teaches Teru the importance of teamwork to support the lead cyclist and to place priority on the victory of the team.

Hikari's boyfriend is one of those killed in the Akihabara massacre incident. Suffering from the shock of her loss and unable to accept this reality, she cuts herself off from the outside world. She eventually manages to muster enough courage to visit Akihabara, the scene of the incident. There, she encounters many people who are still coming to terms with the aftermath of the incident and are still suffering from the aftereffects.

Mari is exhausted by life in the city and opens up a shop selling snow cones in the small town of Nishiizu where she grew up. The simple flavors of her cold desserts soothe the emotional wounds of her customers and Mari comes to terms with herself by spending time with a young woman with a scarred face.

Haji is an actor on the cusp of turning 40, who has gotten stuck in life. At the invitation of an old friend, he visits his hometown for the first time in ages. On the way Haji has an accident, and wakes up to find himself transported back to high school with his adult body in tact.

Saki and Toshi were born and raised at the shabby "Drive in Gamo," located on the side of a road. Their father was a yakuza but he was kicked out of the group. Because of their father, Saki and Toshi were known as being part of the idiot family. Saki in desperation with her life became a troubled kid. She got pregnant and ran away from family. But one day, Saki who suffered from physical violence by her husband, comes back home.

A fantasy inspired by the legend of Urashima Taro, who is said to have spent decades living in an undersea realm. Set on the Shonai Peninsula in Kagawa Prefecture, it presents a dream-like depiction of a young man's recovery from the death of a friend. University student Taro nearly drowns in the sea on a visit home but is rescued by his close hometown friend Masahiko, who instead loses his own life. Taro is wracked with guilt. Then one day, a strange girl named Mizuki appears before him.

An experimental horror experience where the viewer is the protagonist. Directed by Kôji Shiraishi through POV, which makes the viewer feel as if he/she is watching the film with their own eyes.

Kazuya Naruse, an obedient programer falls for a girl "Rumi", whom he gets to know through chat rooms. Naruse lost himself in this love, as if he lives in another world. Rumi has a mentally ill husband. Spending time with these two, the illusion of love in Naruse gradually changes to uneasiness and insanity.

July 1590, Odawara. Toyotomi Hideyoshi's army had surrounded the Odawara Castle for over 3 months, hoping to conquer this last obstacle to his dream of the country's unification. Standing at the gate of the castle, a lone man facing the menacing guards shouted out: "Do not throw your lives away. Treasure living!". Not long after, the castle gates opened and the reigning lord surrendered. The name of that man is Kuroda Kanbee. An excellent military strategist, he worked hand-in-hand with Hideyoshi to unify the country.

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.