Thomas Wingrich

Yu Hong leaves her home village and starts university in Beijing, where she develops a consuming and compulsive relationship with another student. The student riots from 1989 then ensue and take a toll on their lives.

Birbirlerine tamamen zıt insanlar olsalar da doğruları ortaya çıkarmak için mücadele veren bilgisayar korsanı Lisbeth Salander (Claire Foy) ve gazeteci Mikael Blomkvist (Sverrir Gudnason), bu kez kendilerini dev bir örümcek ağının ortasında bulur. Bu debelendikçe karmaşıklaşan örümcek ağı casuslar, siber suçlular ve yozlaşmış hükümet yetkilileriyle doludur.

Tarihin en büyük hazine avının gerçek hikayesinden uyarlanan The Monuments Men tuhaf bir 2. Dünya Savaşı müfrezesini anlatıyor. Bu müfrezedekiler FDR tarafından sanat eserlerini Nazi hırsızlarından kurtarmak ve sahiplerine ulaştırmak için Almanya’ya gitmekle görevlendiriliyorlar. Ancak bu imkansız bir görevdir: düşman hattının arkasında kalan sanat eserleri ve her şeyi yok etme emir almış Alman ordusuyla, bu adamlar – hiç askeri deneyimi olmayan yedi müze müdürü, koleksiyon yöneticisi ve sanat tarihçisi- nasıl başarılı olabilir ki? Ancak Monuments Men olarak bilinen bu adamlar kendilerini 1000 yıllık kültürün yok olmasını önlemek için zamana karşı yarışırken, insanoğlunun en büyük başarılarını korumak için hayatlarını da riske atacaklardır..

Lenz is a daydreamer. Charming, visionary and – as it is good manners for a thirty-year-old in Berlin – radically incapable of decision making. After an intense party night, Lenz wakes up next to Ira, completely deranged. Lenz is in love. As well as Ira. The summer of love begins: fooling through the nights of Berlin, beers at the canal, talks about sex and childhood. Everything is beautiful. Up until the moment when Ira asks this one question that changes everything: „Do you want to have kids?“ Now is the time for Lenz to do what he knows best, when things get tricky. He runs off. Anchorless, he stumbles through the summer and has to take up with the heroes of his daydreams, who keep examining him about his feelings. Meanwhile, his friend Kenn covers Lenz with affectionate incomprehension. When autumn arrives, Ira eventually confronts Lenz and he has to face the big “whatsoever”.

Karin Wegemann has been transferred. Instead of being on active duty at the LKA, she has been teaching prospective colleagues at the police academy for several months. But a life at a standstill is not made for a woman who feels most comfortable in a headwind. The career change brings her neither external stability nor inner peace. Her superiors see this too. One evening, Wegemann meets investigative journalist Maik Fellner. Child trafficking in Germany has been Fellner's topic for years, but his articles ultimately have no effect whatsoever, and his harrowing research is at best denigrated as slander. Fellner needs Wegemann, but he needs her as an active police officer. He puts Wegemann under pressure and tells her about a 14-year-old witness who has put him on the trail of a child trafficking ring in Potsdam. Her investigation puts her in dire straits, because the perpetrators also know that there is a witness.

A long-running German television series about a two-man team of highway police, originally set in Berlin and later in North Rhine-Westphalia.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

A series about the events of 1943, when, after the devastating events near Stalingrad, German troops are preparing for revenge. A Soviet landing group was thrown into the territory occupied by German troops. The combat mission of the deceased reconnaissance group was to reconnoiter the plans of the impending German counteroffensive, which was supposed to come either from Belarus or from the Kursk direction.