Michael von Rospatt

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Da kommt Kalle is a German television series.

Immenhof is a German television series.

"Kainer dies here today" tells an exciting and bizarre way about the last days of a man who seeks the loneliness to die, but first has to face the absurdity of life.

Mirko Talhammer is beyond himself when two strange guys show up in his noble insurance office and remind him where he really comes from: from a scrapyard in the provinces, where careers are not what counts, other things are more important: scrapping things, the family, and every once in a while, a nice fist fight. Mirko left all that behind, but his father messes things up big time when he dies and leaves his son the run down scrapyard - together with his brother Letscho. And Letscho is still ticked off that Mirko deserted the clan. But soon the brothers realize that the Talhammers only have a future if they can pull themselves together and fulfill their father's last wish: to rob a train like real professionals! The coup itself is like a suicide mission, but then Kercher, the Talhammer's biggest nemesis, gets wind of things...

Christa is approaching her forties and has already been through a lot. She has high hopes for her relationship with Dieter, who, like her, is divorced. As she also gets on well with his children Andi and Marion, it's not long before Christa and her ten-year-old daughter move in with Dieter and their new family happiness seems complete - until Dieter brings his lover Kati home.

Five toilets - five stories! This pitch black comedy relentlessly illuminates the darkest corners of society, thereby revealing a colorful potpourri of human perfidy. The five intertwined episodes are staged in the manner of an intimate play, occasionally testing the audiences moral judgment.