Yojin Hino

Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.

While pursuing his dream of having car sex, a goofy middle-aged man makes all the wrong moves and ends up enrolling in a number of crazy escapades.

Lord Oda Nobunaga plans to control Japan where rival warlords battle by waging war against several clans. His vassal Araki Murashige stages a rebellion and promptly disappears.

Sakiko, a young bank teller, has an unhealthy obsession with money. Thieves hold up the bank, kidnapping Sakiko in the process, but eventually crash their car, resulting in a suitcase stuffed with cash falling into a nearby river. For the remainder of the film, Sakiko begins a desperate quest to retrieve the money.

The day after being dumped by the boyfriend to whom she was going to give her virginity, Sawako Tsukahara (Kumiko Endo), an office lady in the accounting department of Manpan Trading Co., is dispatched as a helper to General Affairs Section 2. General Affairs Section 2, nicknamed "Shomuni," is the company's cesspool department where underachieving office ladies are gathered. The members of the General Affairs Department are Chinatsu Tsuboi (Reiko Takashima), who is in charge of the department; the femme fatale Kana Miyashita (Michiko Kawai); the self-disciplined Yumiko Maruhashi (Asako Kobayashi); the boastful Kayoko Tokunaga (Mari Hamada); the unremarkable Section Chief Inoue (Masao Komatsu); and the stray cat, Butcha.

The eighth shogun, Tokugawa Yoshimune, fights against evil rampant in Edo while blending in with the common people as Tokuda Shinnosuke, the third son of a poor samurai retainer, commonly known as "Shin-san". The story depicts Yoshimune, who is shaken by the issue of succession, the drama within Edo Castle, and a difficult case involving a conspiracy that occurs in the castle town, with the addition of new characters and a sense of the era.

Echizen Washi artisan Takeo has lived in emotional isolation since the death of his wife, but he collapses due to a brain tumor and is in need of care. Yona, a Korean woman in Japan on a working holiday, comes to his aid. Stubborn Takeo and pushy Yona butt heads repeatedly, but gradually Takeo opens up under Yona's care.

Shangri-La follows the lives of a group of homeless people in Japan who run into a man who nearly commits suicide and decide to help him out of his financial troubles. Using their various ingenious resources they embark on a complex scheme to blackmail a crooked businessman, whose bankruptcy claim has put people out of work. It’s a fun romp as these seemingly homeless people manage to outsmart the very people who cast them from society.

Seiji is a third generation "Gosei kai" gang member. He works to build up the group's strength. Meanwhile, a journalist investigates a case that occurred 19 years ago. He meets Hayato, Daisuke and Asami.

Made-for-TV film adaptation of the 1957 novel by Seicho Matsumoto starring Takeshi Kitano and directed by Noboru Tanaka. The novel was previously adapted in 1978 film entitled “The Demon” starring Ken Ogata and directed by Yoshitaro Nomura. After a married man stops providing for his mistress, she abandons their three young children with him and his wrathful wife. Consumed by the jealousy and power struggles of their own relationships, they involve the children in their own games - with tragic results.

The movie is centered around five friends as they end up spending the summer of 1962 shackled up together in a tiny studio apartment in Tokyo. The five friends are Eisuke - the manga artist, Shoichi - the singer, Ryuzo - the novelist, Kei - the painter and Yuji – the 5th wheel (?). The friends spend the summer in pursuit of their own ideals of personal freedom - being able to do what they want. In the process of pursuing their dream they learn firsthand that however ideal it may seem, its not as easy as they think.

Centered around typical Japanese food, a solitary salesman travelling through the country for business purposes, eats at its various establishments and experiences the various delicacies of Japanese cuisine.

A 10-part omnibus drama by 10 different scriptwriters on the theme of fathers and their sons and daughters.

Ultra Q has returned, and continues investigations of monstrous appearances and strange ecological phenomenons.

Takada Yu is an employee of a development firm. His father has favored his high-achieving older brother and been indifferent to Yu since young. So Yu craves for his father’s love and wants his recognition somehow. Then one day, Yu encounters a woman. Although it was the worst possible meeting, he gradually starts to have romantic feelings for her through work and an unexpected development. But ironically enough, she turns out to be the girlfriend of his older brother. Yu begins to realize what he truly treasures and matures as a person as he struggles with this complicated romance and with his older brother and father.

Full-time homemaker, Serina, is madly in love with her elite securities manager husband, Takefumi. But ever since they got married two years ago as two incurably infatuated lovers, her husband has changed. He has begun to find her unmitigated affection towards him to be “over the top” and “irksome.” As a result, he has begun to avoid her. Then one evening returning from a dinner party, Serina finds herself caught up in a little incident where she encounters a private detective named Haruki. She ends up taking a job working at his office. Though somewhat clumsy and wielding no particular talent to speak of, Serina gradually realizes that she was made for detective work. And in the process of striving for the affection of the husband she loves, she too finds herself changing and growing into a beautifully strong and independent woman.