Jaroslav Heyduk

An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.

The heroes of this absurd comedy, full of confusion and humor are Dzharda Zemanek and Frantisek Liska.

To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.

The little mermaid rescues a prince from drowning and falls in love with him. To be with him, she makes a deal with the evil sorceress: her beautiful voice against a life on land.

After their young daughter dies suddenly from a viral infection, Marie and Petr struggle to cope with the silence and emptiness left in their apartment. The couple drifts apart as Marie sinks into deep isolation while Petr attempts to distract himself through work and social interactions. Eventually, they decide to try for another child in an effort to move forward and rebuild their fractured relationship.

The invincible agent Cyril Juan Borguette alias W4C has been assigned a mission to go to a hotel in Prague, get hold of a saltcellar with a plan for the military exploitation of Venus hidden in it, and hand it over to the beautiful agent Alice. He will have to compete for the saltcellar with other agents working for the world's various greater and smaller powers. The head of the Prague counter-intelligence unit gets news of agent W4C's mission. Deficient in personnel, he nominates accountant Foustka as agent 13B. Mr Foustka takes his dog Pajda with him and the two head for the airport. Pajda helps him track down agent W4C in a classy hotel that becomes the battleground for the interests and plans of the secret agents from different countries, each trying to get hold of the precious saltcellar.

The film is a concert of well-known actors from an alcohol rehab where a middle-aged man has taken refuge to get rid of his addiction. In the rehab, cruelty is personified by the attendant who, with sadistic satisfaction, hands out demerit points for the slightest sign of displeasure or rebellion.

This satirical comedy depicts the fate of two con artists who constantly encounter sharper and more experienced rivals. In their quest for easy profits, they often change several jobs and come up with a variety of original tricks and thievery. Each time, however, someone else profits from their ideas. And when they seek revenge on their crooked rivals, they end up back where they started - behind bars...

A family purchases a home robot designed to look like a grandmum. Their neighbours immediately buy a more expensivve model as the two families always try to up the other one. Both grandmums start to "terorize" their families because they were set up to ensure the mums exercise, the kids study etc. Apart from that they start causing problems to the other family ... cut ropes with hanging clothes, pierced tires, etc. Once they get to killing each other family's pets the parents get really worried about the safety of their kids. The grannys later destroy each other while fighting and the families decide that they'll be better off without any robots. (It's some time since I saw this so the details may be off.) Mainly thanks to the design of the robots it's rather a comedy than a horror. Unless you are ten. And a rather good comedy!

Dr. Štěpán, dismissed for his outspokenness, returns to his hometown determined not to bend his ethical principles to the ruthless new capitalism surrounding him. When he meets a young woman who may become the meaning of his life, he must confront the tension between his ideals and the demands of a changing world.

A lyrical story about first love, death and disappointment, based on a poem of the same title.

The last winter of the Second World War in the Beskids. To escape the bombing, eight-year-old Dagmar is taken by her mother from Prague to a mountain village. From there, they take the narrow-gauge railroad to school...

A striking generational tragicomedy, A Hoof Here, a Hoof There is a caustic group portrait of pals who enjoy a tipple, all kinds of hi-jinks and no-strings sexual adventures. Auditor Pepe, vet Dědek and restaurant manager František are financially secure and enjoy life with their similarly fun-loving girlfriends—at least until the moment when the brash Pepe collapses and ends up in hospital.

This castle has its own ghost - a mysterious White lady. She emerges from the painting on the wall when someone speaks out magic formula. White lady is good ghost, she can make someone's wishes true. Even if it is a new duct. But a miracle is not the thing that Communist leaders want in the town.

Even under socialism, which proclaimed the equality of all people, there were status differences. A young bricklayer, who has fallen in love with a college girl from a "better" family, feels this first-hand - the girl's petty bourgeois parents are fundamentally opposed to an unequal relationship from their point of view. In protest, the young lovers decide to live in a tent for the time being and go straight to the park. The surprisingly clueless director Ladislav Rychman has tried to merge disco songs with a tame satire on modern-day rich people.

The forest worker František Hrubý, a poor, hard-working man, lives with his granddaughter in a lonely cottage. Despite being in his sixties, he is still a furiant who does not let anyone talk to him, but talks to everyone himself. His desire to interfere in the lives of his companion, daughter, granddaughter or friends is rooted in his fear of loneliness and death. He also can't accept that the work he has loved all his life has become too much of a strain...

Blazenka likes to imagine she is on a desolate island and has to find a way how to survive. After the death of her mother she stays together with her baby brother and has to take care of the family. In this difficult situation, she plays this role-game that helps her to deal with the sudden loss of her mother.

Worker Šebesta does not rejoice with the others in the May Day parade, as his boots are weighing him down. The following working day does not bring him a good mood either. At a plant-wide meeting, he comes into conflict with the young striker Brejcha from the United Engineering Works. He demands an increase in the production of heating elements so that the new hall can be completed before the deadline. The workers react to his passionate speech about the improvement efforts with distrust and, with a bit of mockery, challenge him to prove his words with action in their plant...

An anthology of three absurd, ironic tales inspired by Čapek’s “Tales from One Pocket” and “Fables and Side Stories,” each showing uncanny forces disrupting ordinary lives: in Krejčík’s “Glorie,” a gentle clerk is haunted by a sudden halo; the other two segments by Mach and Makovec similarly blend everyday routines with ironic, supernatural twists.

Inspector Brumpby (Jaroslav Marvan) and the young crime reporter Allan Pinkerton (Vít Olmer) attend wedding of Sir Hannibal Morris (Oldrich Nový) with beautiful Clarence (Kveta Fialová). After the ceremony, Clarence's ex-husband, criminal Manuel Diaz (Waldemar Matuska), who was believed dead, shows up in her room. He wants to get his hands on Clarence and, most importantly, on the money she would inherit in the eventuality of her new husband's death. Diaz makes attempts on Hannibal's life. He knows his way about an underground labyrinth in the château and the traps he sets up for Hannibal seem to work, since Hannibal is apparently found dead after an explosion in the labyrinth, after which his body vanishes. The inspector tries to solve the countless mysteries. In this, he is joined by Allan, always ahead of the man of the law in his estimation and judgment of the situation.

A story about young girl Hanka who doesn't have parents and is forced to spend most of her time in a hospital bed.

A Czech psychological film about the school of life, its sorrows and beauties. The main character is a young aspiring nurse Marie Sahulová, who, after a trouble in the hospital - she secretly brought a boy to her boarding school - is transferred to a rural health centre, where together with an old doctor and a peculiar nurse she has to travel around twenty-five villages and a number of solitudes in the harsh environment of the neglected villages of the 1950s. The nurse, a wise and experienced woman whom no one calls anything other than "babi", becomes her guide, who introduces her to the practice and the pitfalls of private life in a distinctive way. In the mosaic of everyday worries and more or less serious medical interventions, Marie matures and finds the meaning of her work and life.

Three short stories ("Zelenáči 1945", "Silvestr 1948" and "Zimní vítr 1951") about members of the SNB units guarding the Šumava border in the post-war years. Ivo Toman had artistic supervision over the debutants. The theme of the third short story was made in 1959 for the film "Entry Forbidden" by František Vláčil, who was also starting at the time.

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.