Alexia Kaltsiki

Hoping to bring their dead mother back to life, three brothers build a time machine in this visually decadent, bizarre and altogether mesmerizing head-trip.

In 1984, photophobic Zano arrives in Athens and quickly gets devoured by the dark underbelly of the capital city.

Antonis always goes by train. He is in a rush to make it on time. His recent past keeps catching up on him. Reality does not allow him to escape the images. That's how it is. because that's how it goes. He couldn't give a damn about anything. He needs to pee. Dependent on his girlfriend just as he's on himself. He doesn't owe anything to anybody.

Summer in an Athenian neighborhood, the alarm of a car does not leave their neighbors in peace. But every one has its own problems. Infidelity, robbery, jealousy, flirtation, and family reconciliation on corpses, all pour forth into five intertwined stories

Thodorakis, the film's hero, has a happy go-lucky attitude about life and women, but this all changes when he is forced by his uncle to train as a chef. He soon becomes a top chef and is so impressive that he enters a 'secret society' for chefs, who battle it out to see which one is the best. To his detriment he becomes so obsessive that the women in his life find him obnoxious and nothing seems likely to save him until the news of his patron's death slaps him in the face like a cold fish. In the end, the shock reminds him to keep his life in perspective.

Eight-year-old Lulu gathers snails in the park where she goes every day with her mother. Her obsession with the snails leads her to develop a special relationship with a strange foreigner who haunts the park–with unexpected results.

The performance is over, the actors step off the stage, the audience leaves the theater. However,in this case, the end marks the beginning. Eleven spectators star in their own tales, intertwined in a collage crafted by life itself. Restaurant and movie theater owners, immigrants and tourists, regulars and passers-by interact with the urban entourage and the people they come across, weaving a mosaic of endless possibilities.

Anna, a young art historian, is preparing an exhibition on the painter Maria Dimou, whose death is shrouded in mystery. Drawing information from Dimou's partner, Angelos, she gradually begins to discover that both he and Maria's life hide many dark secrets.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

A writer, locked in his house, writes about a young man who wanders in Athens and tries its fruits.

The father is unemployed. His son is sick. It is cold outside.

Young man arrives in Athens to seek his fortune.

For many years, Nadja has worked as a housekeeper for an upper class Greek couple and their daughter. She’s allowed to feel like part of the family. When she’s diagnosed with a serious illness, and the man of the house runs into financial difficulties due to the economic crisis, Nadja loses her job. Yet she shows no external sign of how these two traumatic events have affected her.

A group of friends who refuse to be trapped by social conventions find refuge in the home of the only bachelor in the group. However, because they dislike its decor, they devise a plan to remodel it without spending any money. What better way to do this than through a wedding... Profane humor, familiar situations, and characters. The apotheosis of male vanity and superficiality. For them, women are simply a means to an end, a way to achieve their plan. Up to a point, because when love intervenes, things take a different turn, they are transformed into sensitive and weak creatures and are fulfilled in a woman's embrace.

A lavish mansion hosts a grand reception attended by ambassadors, ministers, the police chief, a techno-detective, a mercenary, and two wandering beauties. A mysterious painting by Rembrandt piques the interest of some of the guests, with the host of the evening, Mr. Malaparte, hiding a priceless artistic treasure inside his home... Or maybe not?

Haralabos is at his late forties and he has just lost his dog. He decides to fill his empty space and time with a collection: on a whim, he chooses to collect egg holders. Until one day he meets Dimitra, an avid collector and also a loner. Their relationship will share the joy of discovery and the grounds of sharing. But everything will change after a trip in the country, where the couple will face an unknown temptation: the egg holder that could be the most beautiful piece in their collection. If they don’t own it, how can they go on?

A disturbing parallel montage alternates between an earthquake drill at a school and a celebration with references to missing combatants.

Artemis, a former taekwondo champion, is forced to become the guardian of Dimitris, a child on the autism spectrum and the son of a Russian tycoon, after his family is violently attacked. With his parents abducted and the police unwilling to intervene, she takes him and seeks refuge in her father’s remote village. But there, another mystery awaits: the unexplained disappearance of the mayor and the wary, secretive locals.

Aris and Sofia, a former couple, meet by chance two days before he reports to the army and before she gets married. They make an appointment the next day, but he doesn't show up. So they continue their lives apart, until they meet again...