Hans Richter

The head of a squad of maids captures the heart of a wealthy young bachelor.

Nazi propaganda film based on the life and death of Hitler Youth Herbert "Quex" Norkus – in the film, renamed Heini Völker – who was killed while distributing flyers in a Communist neighborhood.

The ghosts of thieves help a beautiful young countess save her inherited castle from modern developers in this comic horror/musical.

This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.

Starring Francisca Gaál in a breeches role. Dressed as a boy, a street musician gets a job pumping gas. When s/he starts to have feelings for her patron, watch out for complications in this comedy shot in German in Budapest.

Theo Müller and his family inherit a vintage car that turns out to have a wayward mind of its own, fixing the family troubles and some romances with a series of guardian angel and/or matchmaking shenanigans.

In Nazi-occupied France, a German officer is assassinated. The Germans demand justice, and the Vichy government is quick to capitulate. Unable to apprehend the actual culprits, Minister of Justice Joseph Barthélémy decides the execution of token Frenchmen will suffice, but the problem is finding judges and jurors eager to participate in a sham trial of innocent men. The solution is a Special Section, a court comprised of individuals handpicked for this exact purpose.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

When a suspicious man bribes Emil with chocolate in return for a bundle of cash, the young lad thinks of a plan to catch him.

Martin Hinterkirchner, dissatisfied with his position, sends the hits he has secretly composed to a manager. One of them would be ideal for the famous singer Linda Borg, but her manager refuses. Unfortunately, Martin now blames Linda and has nothing good to say about her - in contrast to his grandfather Leopold, who met Linda at a dog show. When Martin stands in for his untalented friend Peter as a singer at a hit song competition and mistakenly believes he has failed, he returns to his Tyrolean home village of Himmelberg. Peter, on the other hand, accepts a contract even though he cannot sing the required duet with Linda Borg and looks for excuses. Linda travels to Tyrol in a bad mood because she has received love letters from there. She has no idea that Martin's grandfather Leopold is the secret sender who wants to get her to sing Martin's hits.

At the last performance of the Barszony Circus in Hamburg, the Indian lion-tamer Sikkim Khan is attacked by a tiger and is badly wounded. That he got away with his life at all is due to the quick action of the circus director's daughter, Tamara, who shoots the tiger. From that point on, Tamara appears as "Sikkim Khan" and the "Diamond King" van Houten falls in love with her. On a ship of the South American Line, they meet and get to know each other better. When an emerald worth half a million is stolen, Tamara declares herself to be the thief, so as to protect an old colleague of her father, who wants to save the circus with the money from the stolen jewel.

Due to a lack of money, Hamburg pub owner Jonny Jensen brings two partners on board. As soon as the contract is finalized, the ex-sea bear is almost struck by a blow: the shady duo want to turn his quaint harbour bar "Herz von St. Pauli" into a demimonde pub with lingerie shows. Jonny can't let that happen!

The countess is married, and the ghosts are still in the Spessart. Her husband becomes an astronaut and the story involved time travelling and space travelling starts.

Puck Niklas (Jenny Jugo) loves her husband Peter even though her brother thinks he's a no-good. She's very charming and a bit crazy and does everything to help him get an engagement as an architect. Opportunity comes knocking in the form of factory owner Walter Baumann (Willy Fritsch) who sees through her trickery but at the same time charmed by her, he gives her Peter the job. Soon Walter finds out

The unemployed secretary Käte applies a job by mistake in the piano factory of the entrepreneur Helmut Hofert. He does not really have any need for an additional secretary at the moment, but Käte is very attractive.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

Pediatrician Waldemar Weber is at his wits' end. Of all days, his adopted son Egon—from his first marriage, whom Waldemar has always kept a secret from his young wife Henny—has announced he’s coming to visit on their first wedding anniversary. Waldemar must stop Egon at all costs. When Egon finally shows up at the door, he turns out to be a monkey trainer.

A banker goes bankrupt and flees to the countryside where a family of peasants cheers him up.

In a poor Berlin neighborhood, a horse used in the WWI cavalry is threatened with slaughter so two sinister types can make some money .But a flower seller, her grandfather, and some other nice people try to save the honorable steed.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.