Fritz Marquardt

Fransa, 1563. Protestanlar ve Katolikler, inanç farklılıklarını mazeret göstererek, toprak ve iktidar için kıyasıya bir savaşa girmişlerdi. Protestanların başında Navarra Kralı Henri vardı. Ordusu Paris'e doğru ilerlerken, içindeki öfke yalnızca Katoliklere karşı değildi. Asıl intikam almak istediği, annesinin can düşmanı, Fransa Kraliçesi, Catherine De Medici'ydi.Medici Henri'ye, barışı sağlamak amacıyla, kızı Margot'un izdivacını teklif etti. Ancak düğünden sonra Paris tam bir kan gölüne dönmüştü. Henri, Aziz Barthelemy Katliamından sağ kurtulmuştu, ancak 4 yıl boyunca sarayda esir tutuldu. Fransa tahtına geçene kadar, canını ve askerlerini korumak için dinini değiştirmek zorunda bırakıldı. Tahta geçtikten sonra, Fransa topraklarında, monarşiyi yıkıp, düşünce ve inanç özgürlüğünü ilan ederek, ilk hümanist kral olarak tarihteki yerini almayı başardı...

An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.

This story of the miller Florian, who gave all his money to the war against Napoleon, is loosely based on a true story. After the war, Florian's reimbursement is challenged, and he must also pay taxes on his destroyed mill. He resists the tax collectors and takes off to Vienna, where he intends to defend his rights. On the way, he rescues the Duchess of Guastalla from assault. She also wants to go to Vienna, as His Majesty Franz II is trying to contest an heir in her favor. With cunning, luck, and dagger, Florian fights his way through a slew of nobility and their secret police.

"Pictures from the late eighties in the GDR on up to the immediate present in the year 2008 in Germany. What has been left over besieges my mind. All these pictures keep reassembling themselves to make up something which they were originally not made for. They are still in motion. They are becoming history." (Thomas Heise)

In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.

The film is set in 1989/1990 at a time when the "socialist" ideology underwent another major revolutionary collapse and the supposedly only progressive German "socialist", but walled-in GDR, joined the free West German society of the Federal Republic of Germany. In those days, the son of an East German teacher turns his back on the GDR because he is fed up with the eternal talk of the alleged superiority of "socialist" society and this "socialist" old day is nothing but dreariness and eternal gray everyday life for him. His mother, the convinced teacher and communist Christine Rautmann, suddenly realizes that her eternal propaganda of a golden socialist future is not falling on fertile ground with either her son or her pupils. She is suddenly faced with the ruins of her life as a teacher and mother. She herself becomes a seeker on a tremendously shaky social ground.

Günter and Gudrun Piesold are very busy with their careers as a TV comedian and an actress, so Grandma takes care of household chores and childcare. But when Grandma remarries, the Piesolds are faced with chaos at home and a burning question: Who will take care of the household?

Otto adlı ünlü aktör sorunlu ama sevgili bayanlar adamın timsalidir. O hâlâ son filmde sarhoş bir şekilde amatörleri yönlendiriyor , o film yapımı hakkında daha fazla bilgiye sahip . Bir yerel aktör onun öğrencisiydi , mürettebat a katıldığında onu Pek güvenilmez yıldız yapmalıyım? Komik durumlar özgün çeşitli ilişkileri yakalamak için bir eğim ile de ortaya çıkar . Pusan ​​Uluslararası Film Festivali tarafından yazıldı.

A young boy fantasizes his way to school into a battle between cowboys and Indians, where the bad guys want to steal some gold medals. Real events and fantasy interacts in his mind.

Little Felix Grosser is given a chest full of tin toys by old Mrs. Goldberg. The woman had once saved the toys for her future grandchildren, but her children were too busy working to start a family. Now Felix receives the old toy and Mrs. Goldberg warns him not to let it fall into other people's hands. Felix takes a white, dancing "magic horse" from the chest into his nursery, along with various other items. His parents, who are busy remodeling the bathroom despite a lack of materials, only find out after a while that the pony is a gift from Mrs. Goldberg, who no longer lives in the house. They have no idea about the chest full of toys in the attic.

Tambari - it's a name of an old boat which children of a small village on a Baltic sea shore got from an old fisherman Luden. But not all the village adults were ready to approve it...

Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.

A story spanning three generations, from 1871 to 1945. When Gustav Wengler, a farmer’s son, returns from the Franco-German war in 1871, he goes to work for a precision mechanics and optical company, where he soon becomes a master craftsman. Wengler loyally promises the owner on his deathbed that his sons and grandsons will also stand by the company.

In 1920, Michael, the son of a German laboring man, decides to travel to Russia. As "red horseman" he wants to support the socialist revolution and fight for the welfare of the working class. The journey towards the east turns out to be both a big adventure and a severe ethical test for the young man. He has to escape the German Armed Forces and ends up at a traveling circus where he falls in love with Fanny, a dressage rider. He overcomes the temptation to stay with her at the circus and - after briefly joining a gang of teenage thieves - he eventually boards a ship heading east. Aboard the ship he finds out that the seamen are transporting weapons for the hostile members of the White Army.

Fourteen-year-old Stefan Kolbe, along with his mother and sister, moves from an idyllic small town to the developing area of Berlin-Marzahn, where his father works as a construction worker. Stefan must find his way in a completely new environment and surrounded by strange people. Stefan gets to know two girls, who attempt to seduce him, and gets himself into trouble with the landlord, who kisses up to societal authority figures. He becomes friends with the anxious Hubert, defends him against the constant humiliation of the older student Windjacke, and encourages him to stand up for himself. It ends tragically in a bitter fight between Stefan and Windjacke.

A morality tale from the time of the Saxon Kingdom. The von Siebenthal volunteer fire department has nothing to do. When their local pub is in a very dilapidated state, but the landlord has no money to renovate it, the fire department tries to help out by setting fire to it themselves, but it doesn't quite work. They look for a new object to set fire to, the supposedly empty prison. But there is only one prisoner, who is heroically rescued by Captain Kaden.

In a backwater town, opera director Andrej Wischnewsky is supposed to put on a production of Mozart's "Don Giovanni".

The 18-year-old Katharina Jens is a high diving champion and succeeds in everything she does. When she enters an international contest in place of her team colleague Claudia, expectations are accordingly high. However, when she misses the one-and-a-half somersault with a double twist her team fails to gain victory. Suddenly, the question arises if she is in fact good enough.

A village has to be destroyed for coal mining. Henning, a 15 years old boy, who wants to visit his grandfather one more time, realizes that nothing will be the way it used to be.

Ralf Paeschke is a film student who has to make a documentary film about a group of women working in a lamp factory. There is brazen Susie, mischievous Kerstin, lonely Anita, single Ella, withdrawn Gertrud and the imposing forewoman. When Kerstin is suspected of stealing, tension among the women mounts. Ralf demands that things be clarified, and his film plays an unexpected role in the matter.

Alfons lives with his grandparents on a Silesian village farm at the end of WWII. He adores his grandmother, who runs everything after her husband dies. But everything changes after the appearance of a traveling showman in the xenophobic village.

1523. The Protestant theologian Thomas Müntzer is entrusted with the pastorate by the 'Allstedt Council'. On the one hand, he is to open people's minds and hearts to more freedom, and on the other, he is to serve as an ally against the count.

Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.