Nahoko Fort-Nishigami

The Aurora Borealis is a story of family that is rich in twists and turns. It breaks the depths of the relationship between mother and daughter. A successful lawyer in Vienna, Olga is called back to Hungary when her old mother, Mary suddenly falls into a coma. While Mary is floating between life and death, Olga finds a deeply silent secret. The increasingly passionate research leads back to the post-war Europe of the '50s.

The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences.

Making phone calls, sending money, surfing – that's what people come to a Viennese call shop for: homesickness and love, worry and hope, doubt and uncertainty – all of this is discussed in the phone booths, where origins and affiliations are full of contradictions.

On the last day of the Munich Oktoberfest, the paths of different people cross: While Birgit questions her marriage to Max, single father Richard is caught in a conflict between his young lover and paternal responsibility - his son, whom he only sees very rarely, has been looking forward to an evening with him; but Richard also needs to talk things out with his young love. Meanwhile, some crazy Italians come to Munich. Alessandro falls in love with a newly married Japanese woman. A traditional showman's family fights against ruin and an embittered young wheelchair user who keeps the officers at the local police station in suspense with hidden threats...

During his final concert, a seasoned pianist is drawn back into his memories and confronted with the sacrifices he has made for his career.

Professor Karl Michaeli is a former star cellist and grantler , as he is in the book. After the death of his beloved wife Maria in 2014, the retired music professor lives alone in a three-room apartment in Vienna. To his displeasure, several foreign families are housed in his apartment building. The widowed, free-spirited apartment building owner Esther Polgar also houses refugees in his home. These are a special thorn in Karl's side.

American investment fund buys Austrian companies, but also takes over politics in Vienna. Money still makes the world go round.

An oil complex burns. A young man is caught and caged. A young woman flees, injured—into the forests, where the dream of another future shelters. A state psychologist is assigned to assess—yet trusted truths falter: What does a just life look like in a wounded world?

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Hausmeister Krause – Ordnung muss sein is a German sitcom with Tom Gerhardt in the title role, shown from 1999 through 2010 on Sat.1. The series parodies typical German "squareness". Half-day janitor Dieter Krause is the embodiment of the German "square"; he is pernickety, blindly follows order, denounces others, is nosy, consistently puts his own interests above all else, acts subservient to his superiors and is brutish and unjust to those he deemes below him. Many plot elements — mishaps, misunderstandings, and frequent cases of mistaken identity — originate from Boulevard theatre. The characters in the series borrow heavily from those in Tom Gerhardt's film Voll normaaal, in many cases sharing names. In Voll normaaal, Tom Gerhardt played the roles of both Dieter and Tommie Krause; in Hausmeister Krause, Tommie was played by Axel Stein. Daughter Carmen is played by Janine Kunze. Other characters from Voll normaaal, such as Tommie's friend Mario, are relegated to the status of background characters. The scope of action also changed.