Zdeněk Blažek

A family saga taking place mostly in a small Slovak village over a period of thirty years (1887–1917). The first part captures the life of Martin Pichandu in the development of his craft, masonry; in the second part, his son is center stage living in a period of socio-political crisis, which ultimately results in the first World War. After originally airing on Czechoslovakian television in 1983 as a four-part 226-minute mini-series, this production received a 163-minute theatrical release in 1984.

The Lavicka's, a Czech family from the city, rents a house in the country with the option to buy. However, old Mr Komarek seems reluctant to sell the house as they agreed.

Slovakian villagers towards the end of WW II are despairing as German troops fall back to their village.

In the morning twilight of Prague, the dead body of the safe-breaker Toufar is found floating on the river Vltava with a knife in his back. Police inspectors visit Toufar's lover, the prostitute Anna Kulatá (Jirina Bohdalová), nicknamed Umbrella, and it is apparent that the moment before she opened the door of her flat, someone fled through the window. Umbrella is summoned for examination to the head of the criminal police - Police Councilman Vacátko Jaroslav Marvan, but although shocked by the photograph of the dead man, she does not confess to anything. Before Toufar, Umbrella lived with the safe-breaker Penicka (Radoslav Brzobohatý), who loved her very much and made her quit her street trade. But when he was sentenced to three years' imprisonment, Umbrella began to live with the brute Toufar, who chased her to street again. In the case of the murder, Penicka is therefore the prime suspect.

The story of father and son detectives takes place mostly in the dignified surroundings of a concert hall. Who prepared the assassination, timed exactly according to the score of a piece by Joseph Haydn, what fate will befall the famous conductor Castellani, what surprising methods will the pair of detectives use?

This tale is about young Ludvik (Robert Nespor) an erstwhile, budding scientist whose practical sense leads him to experiment before his common sense has figured out the results. Due to that unfortunate pattern, he variously floods the bathroom while working on displacement of volume and weight in water, he shatters the harvest pumpkins but not the law of gravity, and now he is eyeing the neighbor's rabbits for an electricity experiment. While the rabbits remain safe for awhile, Ludvik's parents wish he would follow in their more traditional footsteps and dedicate himself to music. Instead, Ludvik has learned that the proper mixture of a certain carbide and water can be explosive, and while he works on that technique, a friend tips off the physics teacher about these potentially disastrous plans.

Vlado has just passed his high school diploma and is starting a job as a home tutor in the family of a big businessman. He finds himself in a very difficult turning point in 1947-48. He does not understand much of what is happening around him. He constantly experiences emotional confusion, comes into conflict with his conscience and finally has to decide between love and reason...

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

A loose sequel to the 1976 comedy Stormy Wine. The screenwriters and the director recreate on screen a number of characters from the South Moravian town of Pálavice, characterised by their different attitudes and approaches to work and private life. A number of serious issues touching on the times emerge around the story of the con man. The fundamental dispute between the vice-chairman Janák and the chairman of the merged cooperatives ing. Urban, as well as the satirical theme of illegal machinations and bribes, are undoubtedly of general validity.

A man returns to his native village in search of renewed faith and his old girlfriend. But she, now a middleaged woman, does not recognise him and he goes home, more disillusioned than ever.

The peculiar Fanoš Mikulecký is the originator of many well-known songs from Podluží, generally considered folk songs. Next to him, the other main protagonist of the story is Honza, a musician and an uneducated journalism student. On one of his journeys he meets his former professor. He suggests that together they visit one of those who compose folk songs but do not claim authorship, Fanoš Mikulecký. With him, Honza understands the meaning of artistic creation and the fulfilment of human life...

Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.

Even a casual hitchhiker can get caught up in unexpected family troubles. The skilled title character fixes a broken-down car and is rewarded: he is invited to a luxurious cottage. However, its owner finds himself in a difficult situation when, in addition to his wife, his mistress arrives there - the hitchhiker is therefore asked to pass off the girl as his girlfriend...

High school students experience the everyday worries of their age - they prepare for their high school graduation, go on a production internship at an engineering plant, and compete for a ski trip to the Krkonoše Mountains...

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.