Christoph Jöde

Diziye konu olan olaylarda hep tanıdık temalar hakim. Almanya’da gündelik yaşamı etkileyen ya da geçmişte etkilemiş olan her konu, dizide ele alınıyor ya da alındı: Almanya’nın birleşmesi, terör, organ ticareti, küreselleşme, ırkçılık, uyuşturucu kullanımı, çevre skandalları, çocuk istismarı, işsizlik, sanayi suçları, yaşlı bakımıyla ilgili sorunlar, ya da eş bulma hizmetleri. Gerçek yaşamdakinden farklı olarak, toplumsal ayrılıklar “Tatort”ta her zaman çözülmese de, cinayetin faili her zaman bulunuyor ve pazar akşamı herkes yatağına huzur içinde gidiyor. Edebiyatbilimci Jochen Vogel’in sözleriyle “Tatort, Alman toplumunu anlatan bir roman.”

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Shows the interaction between Hamburg police officers and paramedics.

Faced with staff shortages, the chief of a Cologne police department convinces two retired homicide detectives to come back into the force. As their immediate superior is a young woman, a generational cultural clash is inevitable.

Yaşlanmakta olan bekar Seligman, evinin yakınındaki bir ara sokakta kanlar içinde baygın bir kadın bulur. Kadının adı Joe'dur ve kendi kendine nemfoman teşhisi koymuştur. Joe, nazik yabancının dairesinde iyileşmeye çalışırken çocukluğundan genç yetişkinliğine kadar olan cinsel hayatının geçmişini anlatmaya başlar. Seligman ise çay içerek onu dikkatlice dinlemeye başlar.

The high-rise building block near the forest is famous for its carefully curated community. As a dog disappears and her daughter refuses to leave the bathroom, security officer Anna faces an absurd battle against the fear, that slowly spreads among the residents and shakes the utopia with a view.

Project manager Kevin returns to his childhood on the island of Sylt on a vacation with his daughter, motivated by closing a big deal there, since his company plans to build luxury apartments on a piece of land.

Three years after his conviction for drug trafficking, Erich Kessel is about to be released from prison. It's a particularly trying time for this addiction-free former narcotics officer, whose seriously ill daughter has just died. With his wife, Claire, ready to give him a second chance after years of separation, and his former colleague and friend, Superintendent Mario Diller, having found him a job as a bartender, Kessel is determined to prove himself beyond reproach. But shortly before his release, the double murder of a young drug dealer and his fiancée, daughter of the powerful Syrian crime boss Walid Schukri, threatens to ruin his fine promises. The latter, who is serving a long sentence alongside Kessel, offers him a handsome sum to catch his daughter's killer. For the former commissioner, now broke, the temptation is great to accept this juicy contract, the ultimate investigation on the frontier of legality.

Hiroshima, Japan: A giant monster attacks a fishing boat and devours the crew. Frankenstein expert Russ Adams and radiation researcher Takako Mizuno are suspicious. Does this have anything to do with the radioactively mutated creature they raised years ago and that had been swallowed by an earthquake? Could a new being have developed from its cell remains, one that is so closely connected to nature in the depths of the sea, that it now regards humans as a natural enemy? A lively, experimantal mix between stage play, radio play and Japanese monster movie unfolds.

It's 1973, the scene is New York, there's a strange virus, a penis transplant, a saw and a stick of leeks: Adam is not successful with women and has a rather tiny penis, but his friend Dick is a very successful lover, owning "the largest cock in town". When Dick suddenly dies of the virus, Adam sees his chance for a better genital area. But does the shady Dr. Cockburn really know what he's doing? Why does poor Adam change into a sex maniac? Originally a stage play by Jörg Buttgereit, has this been photographed for the screen by Thilo Gosejohann, formally based on a radio play by Jörg Buttgereit.