Suzanne Stoll

Switzerland 1523. The mercenary Hansli Gyr returns with his soldiers from Italy to his home in the Oberland. They have fought for the Pope and now find a religious upheaval in Switzerland.

The ageing actor Peter Poller, whose name still has traction, is engaged as a guest at a provincial theater. They are performing a play by Molière. Poller is an alcoholic and his physical collapse is only a matter of time. His colleagues are watching him: the fear that the performance could fail through his fault is coupled with envy of his star role, which he also plays in his private life. His old "friend" and rival, the actor Karl Tietz, lurks unsuspectingly for the opportunity to stand in for him. Only the young Dagmar Möller seems to trust her great colleague. She makes every effort to help Poller overcome his problem and mediate between him and Tietz. But the battle continues - one wants to destroy the other. In the end, it is Dagmar who is broken by this game of intrigue, which she does not want to play and which she is not up to. However, the two old ladies are back on stage together - in a role that, like so many others, will "irrevocably" be their "last"...

Gottschalk and Wenstrup are two German veterinarians who have settled in German Southwest Africa to tend to the needs of cattle ranchers. When a rebellion by a local dissident named Morenga is brutally crushed by the Germans, the two vets get involved, at great risk to themselves, and offer help to the native revolutionaries.