Darío Paso

Torrente tembel, kaba, içki düşkünü, ırkçı ve aşırı sağcı Madrid’li bir polistir. Kısacası sadece kendisini düşünen bencil biridir. Tekerlekli sandalyeye mahkum babasıyla bir gecekondu mahallesinde yaşamaktadır. Bir gün mahalleye yeni bir aile taşınır. Ailenin çekici kızı Amparito’yu gözüne kestiren Torrente kızla yakınlaşmak için ağabeyi Rafi ile arkadaş olur. Bu sırada Torrente yakınlardaki bir Çin restoranında uyuşturucu kaçakçılığı yapıldığını keşfeder. Eğer bu davayı çözerse polis merkezinde kaybettiği prestiji geri kazanabileceğini bilmektedir. Ama Torrente’nin güvenebileceği tek kişiler Rafi ve onun inek arkadaşlarıdır.

At 35, Pedro is completely antisocial, ruthless, and close to being a psychopath. He works as a nurse in a hospital, making life miserable for his coworkers, dealing drugs, and running illegal poker games. One day, a mysterious patient he always argues with dies beside him and leaves him a magical book that turns him into a kind of angel with supernatural powers. At first, he uses his powers for his own benefit, but he starts to realize that helping others isn’t so bad after all.

Lucía's heart misses a beat when she sees a man of her age, Juan in a department store. Without hesitating, she decides to follow him to his house, the same house where, twenty-five years before, while the Franco regime was on its last leg, Juan first met Lucía and fell in love with her...

The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.

Two friends from Avila decide to take a jaunt through the streets of Madrid after escaping from their high school group that was going on a tour into the capital's museums.

Roberto Soto is a renowned Spanish science fiction screenwriter. He has won a Goya award and his screenplays are internationally acknowledged. However, his producer is tired of science fiction and believes that, in Spain, he has to write films of different genres, something more intellectual and existential: social dramas, enriching values, philosophy, etc. With these arguments, the producer demands him a screenplay that has nothing to do with science fiction. As a result, Roberto has to decide whether to write what he's good at and was born for, or to do what he has been told. Roberto is forced into resigning and doing what he is paid to do: he locks himself in the living room with his typewriter in order to write a screenplay according to what is expected, with the urgency of the producer's visit, who wants to check up on his work. That same day, Luis, Roberto's best friend also turns up at his house, with an idea for a film about mutant octopuses, convinced Roberto can make ...

Tristan is about to turn fifteen. He enjoys the good life his parents have built for him. And yet, it won't be long before his environment of protection, affection and comfort crumbles. From then on, he will learn the taste of loneliness, sadness and that survival is often more important than life.

Justino was working in a bull-ring but now he is retired. For him it is very difficult to adapt to the new situation although he will find soon a hobby without forgetting his profession.

A group of young twentysomethings face a fall in their lives undergo a major transformation when the time came to take on adult responsibilities. David is 27 and has long been working as a messenger, enough to know it's time to quit.

The story of Francisca Sánchez del Pozo, " Paca ", and the Prince of letters, the Nicaraguan Rubén Darío. In 1956, Francisca Sánchez, married to José Villacastín, and already in the twilight of her life, receives in Navalsaúz two writers, Antonio Oliver and Carmen Conde.

Ana, apartmanın koridorunda bir kara delikle karşılaşır. Bundan sonra her şey aynı gibi görünür, ancak değildir.

After murdering the teacher she was in love, Silvia will start getting a taste of the thing and does so from a seller of nazis articles. Her classmates, tired to cover it up, decided that they want to get rid of teachers and neighbors too. So they organized murders and burials committees ... While, an incompetent police will try to solve the case of the mysterious disappearances.

Bruno, a young traffic agent of the Spanish Guardia Civil, is abandoned by his wife after having an affair. Bruno, devastated, discovers one night, by chance, a strange passageway that leads him to another level of reality.

"Escuela de seducción" is an acceptable comedy which deals, for the umpteenth time, with the war of the sexes using misunderstandings and fake personalities as dramatic resources. The premise is by no means original, but this is something most films lack nowadays, and therefore the result could have been more than acceptable.

Two disquieting characters dressed in rubber suits and wearing old rubber masks shoot peculiar movies in which they actually kill real people to attain a supposed satisfaction from the viewer.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.