Kenji Kohashi

Bir grup genç Japon savaşçısı, bir dağ evinde yıllarca eğitilir. Amaçları ülkeyi savaşa ve kaosa sürükleyen 3 savaş beyine suikast düzenlemektir. Eğitim sonunda zorlu bir tercih yapmak zorunda kalan ekipten 5 kişi suikastçi olarak görevlerine başlar. Suikast ekibinin güzel üyesi Azumi, aralarındaki en hızlı ve güçlü savaşçıdır. Görevlerini yerine getirmeye başlayan grubu zorlu mücadeleler beklemektedir. Savaş beylerinin ordularını geçerek onlara ulaşmaları ve peşlerindeki katillerden kurtulmaları gerekecektir.

The struggles of a group of outcasts living in "Yentown", in an alternate-future Japan.

One summer day, a group of sixth-grade boys have an argument about whether fireworks are round or flat when viewed from different angles and embark on a journey for the answer during the annual firework festival. Meanwhile, one of their classmates, Nazuna, is troubled by her parents' separation and decides to choose one of the boys to run away with.

Fotoğraf icat edilmeden yüzyıllar önce...1600'ler..Girolama Fumagalli (Franco Pistoni) adlı bilimadamı, görüntülerin kopyalarınını yaratmak için çalışmaktadır. Sonunda önemli bir şey keşfeder: Ölü bir insanın retinasında var olan görüntüyü kağıt üzerine yansıtmak mümkündür.... aradan yüzyıllar geçer. Uluslarası bir sinema okulunda korkunç cinayetler işlenmektedir ve bu olaylar Fumagalli'nin yuzyıllar önceki keşfi ile doğrudan ilişkilidir..

A Japanese street racer looks to track down a legendary racer for revenge. His quest continues.

Follows the final days of the shogunate and Shinsengumi's Vice-Comander Hijikata Toshizo along with his fellow anti-imperialist group.

Baton is a collection of three 20-minute Sci-fi anime films dedicated to the 150th anniversary of the establishment of Yokohama city. On Planet Abel, human-like robot Apollo (Ichihara Hayato, Rookies) and robot-like human Mikaru (Ueto Aya, Azumi) come upon a stowaway robot with a mysterious "Cipher" chip. Not knowing Cipher's powers, Apollo takes the chip for fun, throwing both him and Mikaru headfirst into a mind-boggling mystery that affects the past, present, and future.

A Japanese street racer looks to track down a legendary racer for revenge.

In the year 2011 the greatest tectonic disaster in the history of mankind has occurred. As a result of the catastrophic earthquakes North and South America, Eurasia, Africa and Australia have sunken underwater while the Japanese islands remain untouched.

Fans of Kamaitachi no Yoru gather to shoot a film based on the game until one of the cast members is killed.

In 2008, an indiscriminate killing which shocked the whole world was carried out in the street of Akihabara. Director Yûsaku Matsumoto was inspired by the Akihabira killing to look at random acts of violence occurring in Japanese society and exploring the aftermath of one such occurrence, and the building-up to another one. By following several people—perpetrators, victims and family of both alike, he tells a human story about inhumane acts.

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

Natsuki, a young woman working for a publishing company, receives an anonymous postcard with a picture of Mt. Everest printed on the back. It reminds her of her brother Kenji, a well-known mountain climber who went missing 2 years ago attempting to climb Everest, who she hasn’t seen in 10 years. Why did Kenji ever go to the mountain? What kind of person was he? Natsuki realizes she doesn’t know her brother at all, but she believed the postcard to be sent by him, and decides to got to Everest to find the answers to her questions.

In Fly Me to Minami, Lim’s fourth feature film and follow-up to his Stateless Trilogy, two transnational love stories intersect. The first of these stories is between Sherine, a fashion magazine editor from Hong Kong, and Tatsuya, an amateur photographer in Osaka. The second is between Seol-a, a Korean flight attendant, and Shinsuke, a married Korean-Japanese shopkeeper in Osaka’s Korea Town.

Yuko, a high school girl, receives a newspaper called Horror News, in which mysterious events of the future are written.

A young man who showed little promise while a high school student becomes a master detective, just like his grandfather.

The 64th NHK Asadora Renzoku Drama is Churasan, a story of a young woman, Kohagura Eri, who was born in Kohamajima Island, Okinawa on May 15, 1972, the day when Okinawa was returned to Japan from the U.S. Eleven years later, Kamimura Shizuko and her two sons, Kazuya and Fumiya, from Tokyo come to stay as the guests of a small inn run by Eri’s family. Eri’s fun-loving, yet eccentric family welcomes them warmly. However, Eri is shocked to hear one of the sons, Kazuya is terminally ill and Shizuko and her sons came to Okinawa to spend his last moment together in beautiful nature. Fumiya, Kazuya’s younger brother, and Eri promise to marry each other someday. However after Kazuya’s death, Fumiya and his mother leave the island to go back to Tokyo. Years later, they are reunited, Eri as a nurse and Fumiya, a doctor, working at the same hospital in Tokyo.

Freelance programmer Sakagami is paralyzed in the lower half of his body and confined to a wheelchair. He sets up a company called dele.LIFE in partnership with a law firm established by his late father. At the request of clients, Sakagami works together with a freelance jack-of-all-trades Mashiba to delete all unfavorable digital records of their clients left in their computers and smartphones after they die. They are not supposed to see inside the files but when they feel something strange in the client’s death, they cannot help getting involved.

DAYS takes a look at the lives of six 20-year-olds struggling to maintain their dreams in a society that has already classified and ranked them. Yabe Tetsuya is an alienated but sincere, inherently honest young man trying to overcome a background that has given him few advantages beyond his own inner strength.

Kozue Ogawa is a housewife and has been married to Hideo for seven years. They don't have any children, but as they live with her parents at their flower shop, every day is still lively. She is happy with her life and her husband, but she wonders if it is enough. From time to time, she is gripped by this doubt that she cannot raise with anyone. Kozue starts a part-time job in the editing department of the magazine where she used to work. Her former colleague is now working hard as the editor-in-chief. One rainy day, Kozue meets a young man. He is Takuma Fukazawa, a high school student. He seems somehow shrouded in sadness. He is a dance teacher. In the dance studio, there is just the two of them. Takuma curls his hands around Kozue's body, and his dance instruction begins. Their unexpected closeness causes Kozue to hesitate. With her heart pounding, she pushes Takuma's hands away and runs home. But the throbbing in her chest continues. It can't be. But what is this feeling?

As Haru emigrates from Japan with her family to the coffee plantations in Brazil, Natsu is left behind in the care of spiteful relatives. Losing all contact, each must make her own way in an unforgiving world. Hardships abound in the struggle to survive in war-torn Japan and in the face of anti-Japanese sentiment in Brazil, financial ruin, familial pressure, abandonment and lost love. However they also experience the precious joy of survival and success. Now, after 70 years, Haru comes back to Japan to find her estranged sister.

The Glass Mask drama is based on a very popular manga of the same name by Suzue Miuchi, about a young girl named Maya whose dream is to be an actress. A legendary former stage actress, Tsukikage Chigusa, watches Maya as she reenacts drama episodes she's seen on TV. She approaches Maya and has her join her acting company, Tsukikage Theater. Tsukikage holds the production rights to a legendary masterpiece called "The Crimson Goddess," in which she had played the title role until a terrible accident burnt her face beyond surgical repair. She's been searching all of these years for someone to play the role which only the most talented actress could play, and maybe she's found that someone in Maya... --synopsis by awrittensin

After a car accident kills both her parents, the 16-year-old Ayumi (Fukada) and her brother are adopted by their aunt and uncle respectively. Their nightmares begin after they move in with the two families. Ayumi is forced to quit school and work in Water Inn, which is owned by her aunt's husband, who seems to be filled with hatred for Ayumi. In the inn, Ayumi is surrounded by people who seems to either hate her or dislike her. Her only friend is Lin (Chen) who is an illegal foreign worker. When she runs into troubles, she has 3 guardian angels who takes turn to help her: her aunt, Lin, and Sasaoka Yuzuri, the son of a politician and who has a promising future. Yuzuri's interest in her, however, incurs the jealousy of her cousin and the wrath of her uncle who loves his own daughter Yuriko (Nakamura) very much. In the meanwhile, she also has to find ways to bring her brother under her own

Misaki decides to join the Brass Band Club having heard of its prestigious past from her father, a former member. However, Misaki finds that much has changed and the club is now full of dull and inactive students. Misaki determines to do her best to return the club to its glory days, but she must help many of the students overcome their personal problems.

On Planet Abel, humans and robots co-exist. One day a mysterious stowaway on a transport vessel tries to invade the planet, but is discovered by Apollo, a robot that looks like a human; and Mikaru, a human that looks like a robot. The stowaway had in his possession a memory chip containing the latest in camouflage software, the mysterious "Cipher" OS. Apollo takes the Cipher chip simply for fun, but has no idea what he's getting himself into. He suddenly starts acting strange, but Mikaru has no idea what's wrong or that Cipher is behind it. What exactly is Cipher? What sort of secrets does it hold? Apollo and Mikaru will unravel a mystery encompassing the past, present, and future to find out.

Shopping Hero, also known as Tsuhan-Man, is a Japanese comedic television drama. Eleven episodes were created and broadcast on TV Asahi, from July 5, 2002 to September 20, 2002.

Two teenage boys from starkly different backgrounds find themselves joined in a common search to discover how to do the right thing and find happiness in life. One boy, whose father is an alcoholic, works hard to care for his younger brother and sister, while the other enjoys the privileges of a wealthy family, but is starved for his father's love. Their friendship reflects the sadness, pain, and sometimes cruelty that can enter into the relationships between fathers and sons in today's society.

Abandoned by his mother and having had to fend for himself, Ryuu is one of many Japanese youths that have turned to a life of petty crime in order to survive in Japanese society. Life on the streets has given him a tough exterior, but it is his kind heart and his dislike for what he has become that wins over a local beauty and helps him take his first steps towards a better life. When an overzealous and less than ethical police inspector fingers Ryuu for a crime he didn't commit, he is resigned to accept his fate. However, help emerges from an unexpected source to give him the strength to fight for his freedom: a victim of one of his past crimes.