Alicia Cifredo

Spain. The Basque Country. Sometime in the 90s. Josu Jon, a young member of a terrorist organization, has suffered an almost complete memory loss after being wounded in a shooting with the Spanish police. As he awaits for his trial, his condition is being treated at the prison hospital. Other inmates belonging to the same organization try to make him remember how brave a "gudari" -a Basque soldier- he is and how he must go back to the armed fight for the independence of their country as soon as he gets out of prison. Meanwhile, Xabier, a college professor who has been death-threatened by the terrorists due to his political views on the Basque situation, is having an affair with Francesca, a young psychologist who happens to end up trying to help Josu Jon recover his memory. A warm feeling of mutual affection grows between her and her patient. At a point, it doesn't seem to be clear whether Josu Jon really wants to recover his memory or rather forget forever who he actually is.

Alberto and Miguel have a bar, but things are not going very well. They need to get out of this black hole and they need money to do it. Alberto is divorced and alcoholic, Miguel has a big secret... Their old friend Claudio is very rich. Why not steal some of his money? Troubles grow when Claudio's wife is planning to steal this money too... The Washington wolfs, in a circus near all this, are the silent witnesses of all that happens that night.

El Bola is a 12-year-old boy raised in a violent and sordid environment. Embarrassed by his family life, he avoids becoming close to classmates. The arrival of a new boy at school changes his attitude towards his classmates and friendship.

Eva, Alba y Juan are the protagonist of the story. Eva gives birth to Marina, Alba has just been left by her boyfriend. And Juan is happily married. Their paths intersect one night and their lifes will change forever.

An Andalusian duchess has the dilemma of what to do with a grove, whether to convert it into a natural reserve or to make a luxury urbanization. The duchess, who is torn between her aristocratic privileges and a social commitment that has cost her more than one dislike in the past, must make a decision about her lands, to which she wants to get some money without harming the people. On the other hand, An ambitious Basque financier, Antónón Ibarrondo, intends to build a luxury urbanization in the Marbella style in the grove. Around the duchess, the businessman, environmentalists and other members in the conflict, problems begin to arise and everything will be decided in a referendum, convened with the idea that it is the people who decide, which coincides with the annual celebration of the Pilgrimage del Pueblo.With a cast "

Carmelo, a dunk from a good family and ex-photographer, promises his girlfriend Fabiola that everything will change. He will stop the drugs and next Monday he will mount an exhibition of photos of bridges under the pseudonym of Madison. But Carmelo doesn't even have a camera.

The two million Spanish women who are victims of domestic violence and the death each week of a woman at the hands of her partner is not fiction but pure reality.

This is the visit to an exhibition of painting and photography with the help of a girl named Claudia, and a sickness called Anorexia.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Follows police officer Francisco "Paco" Miranda and his men through funny cases.