Susana Alexander

Mexican short film

The life of Gaby Brimmer, a girl physically handicapped, who finally gets her goals of study and triumph.

When the grandmother decides that it is time to put the family affairs in order, the fights begin to inherit the house. (A sequel to Grandma's Wedding.)

A dysfunctional family travels to Cuernavaca to celebrate their grandmother’s wedding.

A dysfunctional family travels to Cuernavaca, to celebrate their grandmother's birthday. One pretends to have a boyfriend she just met. Another has a girlfriend who is in love with one of his brothers. Another can not stand the way the grandmother treats him but he has been afraid of her for so long...until now.

The life of the Mexican muralist José Clemente Orozco and his quest to create a career in New York.

Bumbling inventor/jack of all trades does sketch-comedy stuff for 65 minutes, then rescues Mexico City from a Mad Scientist triggering earthquakes.

Ana leaves her abusing husband in order to get her lfe back inspite the opposition of her own mother

Young woman's parents don't supervise her activities closely enough; she ends up going to a beatnik nightclub and dancing the twist and getting raped.

Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.

The story of the difficult life of itinerant artists in Mexico and their futile dreams of happiness. Marin's father, a traveling artist, dreamed of saving money and sending his daughter to school. But his earnings were too small, barely enough to cover their most basic needs. And Maria continued to perform with her dogs. When Maria and the aerial acrobat Maurimo fell in love and decided to get married to start a new life, their dreams were once again shattered by harsh reality—they worked in different troupes, and Maria could not leave her old, sick father...

Playboy bachelor poses as a woman's husband to protect her daughter's reputation at a private school. Remake of El Mil Amores (1955).

Wealthy family opposes the romance between one of their young ladies and a working-class stiff.

Amor de nadie is a Mexican telenovela produced by Carla Estrada for Televisa and originally broadcast on Canal de las Estrellas from September 10, 1990, to June 14, 1991. Created by Eric Vonn, with literary editing by Marcia del Río, the telenovela stars Lucía Méndez, Saúl Lisazo, Fernando Allende, and Bertín Osborne. It was Lucía Méndez's final telenovela as a leading actress for Televisa during this period. The story follows Sofía Hernández, a young woman from a humble mining town who dreams of leaving her difficult life behind. After suffering betrayal and hardship, she moves to Mexico City to pursue a career as a model. Along the way, she faces jealousy, ambition, family conflicts, and complicated relationships while searching for love and a better future.

Alicia Sandoval and Eduardo Fuentes are already married and are happy waiting for the arrival of their first child. This incites Ofelia, Eduardo's mother, to take revenge on Alicia for having taken her son from her. Carolina and Luis Enrique are very much in love and ready to marry as soon as they finish school. Chole also lives happy for the marriage of her daughter, Lupita, with Jacinto, and also eager to have Alicia's son in her arms. ' On the other hand, Rosalía, Jacinto's sister, falls in love with a good man named Felipe, but she is forced to give up on him to marry Valerio, the son of a powerful and terrible businessman from La Antigua.

The title "Manana Sera Otro Dia" is the name of a Mexican telenovela. It began in 1976, with principal actors Jacqueline Andere and Eduardo Fajardo. The title in English means "Tomorrow will be another day", similar to Scarlett O'Hara's famous lines, optimistic of future victory, in the 1939 film Gone with the Wind. In the Spanish title, the accented word "será" is pronounced as "say-Rah" but often the word for day is not accented. The telenovela's runtime was 30 minutes, and it had 253 episodes. The TV series was produced in Mexico by Televisa S.A. de C.V. Viewers' reactions to the show have been highly favorable.

Maria, Mama Cake's owner, faces the consequences of success in selling "special" cakes and pastries.

Morir dos veces is a Mexican telenovela produced by José Rendón for Televisa and originally broadcast on Canal de las Estrellas from February 26 to May 10, 1996. Created by José Rendón, with adaptation by Ximena Suárez, co-adaptation by Alfonso Espinosa, and literary editing by Martha Carrillo, the telenovela stars Eduardo Palomo and Carina Ricco. The story follows Silvana, a devoted wife whose life is shattered when her husband, Cristóbal, suddenly dies under mysterious circumstances. As the police uncover his connections to organized crime and suspect Silvana of murder, she becomes entangled in a dangerous web of deception, revenge, and betrayal. Meanwhile, the man everyone believed to be dead returns with a new identity, determined to destroy those who betrayed him.