Kalle Moraeus

Filip Hammar and Fredrik Wikingsson put the general knowledge of popular celebrities to the test - with a brand new twist.

På spåret is a popular Swedish TV game show broadcast on SVT since September 5, 1987. The show, which is intended to be humorous yet educational, has remained one of the most popular TV shows in Sweden, attracting an average of 2,150,000 viewers during the 2007 season. The all-time record was set in March 1990, when 3.7 million people tuned in to see the show. This means that nearly every second Swede saw the game show. På spåret is an original format developed by Ingvar Oldsberg for SVT, and he hosted the show for many years. Author and tennis legend Björn Hellberg was promoted from contestant to permanent Oldsberg sidekick in 1995 after winning for four straight seasons. Famous gourmet, restaurant-owner, and former contestant Carl-Jan Grankvist sat in for Hellberg during the 2004 season. In 2009, after 21 years, Oldsberg left and Kristian Luuk took over as the host. Björn Hellberg too decided to leave and was replaced with Fredrik Lindström.

Melodifestivalen (direct translation: The Melody Festival) is an annual music competition organised by Swedish public broadcaster Sveriges Television (SVT). The competition is a six part tour (5 heats + the final) with stops in cities across Sweden to determine the country's representative for the Eurovision Song Contest. Melodifestivalen is also known informally as "Mello", or internationally as "Melfest".

Så ska det låta is a Swedish game show, based on the Irish The Lyrics Board. The show was introduced in 1997 and led by Peter Harryson until Peter Settman took over in 2006. Så ska det låta can be watched online at svt play for approximately one month after airing.

Allsång på Skansen is a Swedish tv show held at Skansen, Stockholm, every summer on Tuesdays. The audience is supposed to sing-along with musical guests to well-known Swedish songs. The show started in 1935 on a small scale - about fifty people in the audience. Today about 10 000–25 500 people come to each performance.

TV presenter invites Swedish celebrities and interesting personalities to her summer island in the Stockholm Archipelago for an evening filled with food, drink, laughs and emotion. She interviews her guests about their career, life and dreams, trying to learn new things about them.

Doobidoo is a Swedish musical game show first aired in 2005 on the public service network SVT. There is also a Polish, TVP2, version called Dubidu - show host Piotr Gasowski - and an Australian version that goes by You may be right, hosted by Todd McKenney The Swedish version of the show is hosted by entertainment personality Lasse Kronér.

A Swedish version of the British genealogy documentary series Who Do You Think You Are?, where famous people are searching for truths and hidden stories about their family history.

The program follows the two presenters as they "live" in a certain time period. They dress up in period accurate clothes, and live life as you would in that certain time period with a large emphasis on the food. Each program features a guest chef who prepares period accurate food.

Golfer Jesper Parnevik and his family welcome celebrity guests to stay at their mansion in Florida for a few days.

Big money gameshow, where it pays to know what's valuable and what's not. The show's antique expert has travelled around the country and found 8 collectibles, ranging in value from 500 dollars up to a staggering 500 000 dollars. In each show a couple competing together faces the task of eliminating these objects, one by one, winning the value of the last collectible standing. Will their instincts and the expert's advice send them home with a piece of trash or a valuable piece of treasure?

In "Klassfesten" Swedish celebrities compete against each other in knowledge from their own time in primary school. Each week, two celebrities are pitted against each other in subjects ranging from history and music to PE and mathematics. During the competition they also share memories from their time in school.

Some of Sweden's most beloved celebrities bring their great passion for cooking into a breathtaking adventure in the mythical Master Chef kitchen.

Nisse shows up and is held accountable for everything that has gone wrong throughout Swedish history. Could Carl-Michael Bellman play the lute, even as he was always drunk? Why did the Castle Tre Kronor really burn to the ground? Did Queen Kristina abdicate and move to Rome? Did Sven Hedin end up in Asia or did he get stuck somewhere along the way? Why did Gustav Vasa have such a silly pot-head hairstyle and did Alfred Nobel really invent the dynamite? Only Nisse Hult has the answers to this.

Hayatta yenilgiye uğramış bekâr bir anne, bir çaresizlik anında giyinip kuşanıp (pek de mükemmel olmayan) mükemmeliyetçi ağabeyiyle Vasa kayak yarışına katılmaya karar verir.

Bir gün, aşırı hız cezası kesmeye çalışırken bir kara deliğe düşüp kendini Dünya’da bulan Kenny’nin karşısına büyük bir şans çıkar: Gerçek bir kötü adam yakalayıp gerçek bir kahraman olmak!

Adam and Eva have been married for four years. But the romance has disappeared from their relationship and has been replaced by boredom and old routine. When Adam meets his brother's baby-sitter, Jackie, he is immediately attracted to her. They have an affair, but Adam tell himself that they are only friends. However, when Eva finds out that he has a mistress, she leaves him. Adam tries to convince himself that he is free again, but soon realizes that he is still in love with Eva, and must win her back...

A versatile man whose career as i.a. songwriter, composer, hit artist, comedian and host made him one of our most famous and beloved Swedes. This portrait tells the story of his life and his almost six-decade-long career.

A conversation with the classical and modern musician Kalle Moraeus.

How can an entire career in the cultural sector not count? The Minister of Education has announced that one-third of the funding for adult education associations is to be cut, with the money instead being invested in educational programs that lead to “real jobs.” What happens to the next generation of creators? And what do we lose as a society when the pathways into the cultural sector become increasingly scarce?