Joy Fleming

Every evening at 6:45 p.m. sharp, a prominent guest takes a seat on the red sofa—and DAS! provides daily updates on what's hot in the north.

Eurovision Şarkı Yarışması, Avrupa Yayın Birliği (EBU) tarafından her yıl düzenlenen ve öncelikle Avrupa ülkelerini temsil eden katılımcıların yer aldığı uluslararası bir şarkı yarışmasıdır. Her katılımcı ülke, Avrupa Yayın Birliği'nin Eurovision ve Euroradio ağları aracılığıyla ulusal yayıncılara ilettiği canlı televizyon ve radyolarda gerçekleştirilecek orijinal bir şarkı sunar ve her ülke kazananı belirlemek için diğer ülkelerin şarkılarına oy verir.

Reinhold Beckmann hosts a weekly talk show.

A "children's birthday party" for adults. Each show featured a celebrity guest who had to take part in crazy, silly and often deliberately "moronic" games. Both presenters had to compete against the respective guest in various games.

In 2026, the Eurovision Song Contest celebrates its 70th anniversary. With around 160 million viewers, the ESC is one of the world's biggest music spectacles. This documentary looks back on seven decades filled with music, emotions and passion. From its beginnings as a chanson competition in 1956 through flamboyant outfits and spectacular performances to unforgettable victories, bitter defeats and the political debates of the recent past. Stars like Jean Paul Gaultier, Hape Kerkeling, Tom Neuwirth (aka Conchita Wurst), and Germany's first ESC winner, Nicole, share their experiences on and off stage. The documentary paints a multifaceted portrait of the ESC, highlighting its profound influence on music, fashion, and society, as well as on the LGBTQIA+ community, thus becoming a vibrant journey through seven decades of European pop culture history.

Scotland Yard investigators have to prevent the murder of Victoria Dickman when her name is found on a death list.

Documentary about the first five decades of the Eurovision Song Contest

In Germany, jazz had a voice: Inge Brandenburg. This is the story of a woman in the 1950s and 1960s, when there was no place in Germany for self-assured women with international aspirations, a dramatic performance style and an emancipated attitude to love.