Cristiane Wersom

Boşanmış bir avukat çalıştığı firmadaki yeniden yapılanmadan sonra işini kaybetmemek için kadın kılığına girer, çünkü oğlunun velayetini elinde tutmak için nafaka ödemesi gerekir.

Şehrin sevilen maskotu olan Celestina adlı keçinin peşine düşen iki bahtsız polis, azılı suçlularla karşı karşıya gelince boylarından büyük bir işe kalkıştıklarını anlar.

In Rio de Janeiro there live four great and inseparable friends: Beatriz, Tânia, Ivone and Marilu. They wear a plus size mannequin and face all the adventures and love and professional mismatches that four young women can face in the capital of Rio de Janeiro, (almost) always in a good mood.

Pedro Paulo decides to put his car on the street, an 80s Opala, and work as an app driver. What he didn't expect was to pick up passengers who could turn his day upside down.

Dora, a 45-year-old biologist lives alone in an isolated house, where she conducts an ethically questionable research. Looking for a partner she can trust, she hires a new caretaker, Mateus, not realizing that he is also hiding his own secrets. Gradually, the two grow closer and Mateus finally discovers more about Dora's research: human composting. Mateus, who applied for the job in search of his father, who he believes to have worked at the house before disappearing without reporting, confronts Dora, but she manages to lure him like prey into her office, in the Tree House.

Felipe is obliged to spend his afternoons with Aunt Guta.